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Holocaust fiction

著者: Sue Vice
出版: London ; New York : Routledge, 2000.
エディション/フォーマット:   電子書籍 : Document : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis * The White Hotel by D.M. Thomas * The Painted  続きを読む
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ジャンル/形式: Electronic books
Criticism, interpretation, etc
その他のフォーマット: Print version:
Vice, Sue, 1961-
Holocaust fiction.
London ; New York : Routledge, 2000
(DLC) 99054342
(OCoLC)42849592
関連の人物: William Styron; William Styron
資料の種類: Document, インターネット資料
ドキュメントの種類: インターネットリソース, コンピューターファイル
すべての著者/寄与者: Sue Vice
ISBN: 0203360745 9780203360743 9780415185530 041518553X
OCLC No.: 57239898
物理形態: 1 online resource (239 pages)
コンテンツ: Formal matters: Martin Amis, Time's arrow --
Documentary fiction: D.M. Thomas, The white hotel --
Autobiographical fiction: Jerzy Kosinski, The painted bird --
Faction: Thomas Keneally, Schindler's list --
Melodrama: William Styron, Sophie's choice --
Historical polemic: Helen Darville, The hand that signed the paper.
責任者: Sue Vice.

概要:

Examining the controversies that have accompanied the publication of novels representing the Holocaust, this compelling book explores such literature to analyze their violently mixed receptions and what this says about the ethics and practice of millennial Holocaust literature. The novels examined, including some for the first time, are: * Time's Arrow by Martin Amis * The White Hotel by D.M. Thomas * The Painted Bird by Jerzy Kosinski * Schindler's List by Thomas Keneally * Sophie's Choice by William Styron * The Hand that Signed the Paper by Helen Darville. Taking issue with the idea that the Holocaust should only be represented factually, this compelling book argues that Holocaust fiction is not only legitimate, but an important genre that it is essential to accept. In a growing area of interest, Sue Vice adds a new, intelligent and contentious voice to the key debates within Holocaust studies.

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