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Homage to Robert Schumann : live from the Frauenkirche Dresden.

Author: Robert SchumannOliver BeckerUte FeudelDaniel HardingDresdner Kreuzchor,All authors
Publisher: Germany : ArtHaus Musik, 2010.
Series: Classical music in video
Edition/Format:   eVideo : Clipart/images/graphics : German
Summary:
Between 1844 and 1859 Robert Schumann lived in Dresden where he composed a third of his complete works. This concert marks the 200th anniversary of Robert Schumann's birth and offers a welcome opportunity for Daniel Harding and the Staatskapelle Dresden to introduce three of the most impressive but now too rarely performed works from his Dresden period (Overture to Genoveva, Requiem für Mignon and Nachtlied).  Read more...
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Details

Genre/Form: Filmed performances
Additional Physical Format: Videodisc version:
Schumann, Robert, 1810-1856.
Homage to Robert Schumann.
Germany : ArtHaus Musik, 2010 publisher catalog number
101 523
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Robert Schumann; Oliver Becker; Ute Feudel; Daniel Harding; Dresdner Kreuzchor,; MDR-Chor Leipzig,; Staatskapelle Dresden,
OCLC Number: 852994900
Language Note: This edition sung in German.
Notes: Title from resource description page (viewed May 1, 2013).
Event notes: Recorded in 2010, in Dresden, Germany.
Description: 1 online resource (77 min.).
Series Title: Classical music in video
Other Titles: Genoveva, op. 81
Symphony fragment in C minor (reconstructed by Joachim Draheim)
Abendmusik in B flat major (reconstructed by Joachim Draheim)
Nachtlied, op. 108
Requiem für Mignon, op. 98b
Symphony no. 3 in E flat major, op. 97

Abstract:

Between 1844 and 1859 Robert Schumann lived in Dresden where he composed a third of his complete works. This concert marks the 200th anniversary of Robert Schumann's birth and offers a welcome opportunity for Daniel Harding and the Staatskapelle Dresden to introduce three of the most impressive but now too rarely performed works from his Dresden period (Overture to Genoveva, Requiem für Mignon and Nachtlied). Particular highlights - which will come as a surprise even to connoisseurs of his works - are a first performance and a world premiere of rediscovered and reconstructed symphonic movements dating from the composer's legendary "symphony year" of 1841. Moreover, Rhenish Symphony, composed by Schumann after leaving Dresden and widely influenced by his impressions of the Cologne Cathedral, blends in perfectly with the sacral architecture of the Frauenkirche.

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