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Homer, Eakins, and Anshutz : the search for American identity in the gilded age

Autor Randall C Griffin; Winslow Homer; Thomas Eakins; Thomas Pollock Anshutz
Vydavatel: University Park, Pa. : Pennsylvania State University, ©2004.
Vydání/formát:   book_printbook : State or province government publication : EnglishZobrazit všechny vydání a formáty
Databáze:WorldCat
Shrnutí:
"Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old  Přečíst více...
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Detaily

Žánr/forma: History
Osoba: Winslow Homer; Winslow Homer; Winslow Homer; Winslow Homer
Typ materiálu: Government publication, State or province government publication, Internetový zdroj
Typ dokumentu: Book, Internet Resource
Všichni autoři/tvůrci: Randall C Griffin; Winslow Homer; Thomas Eakins; Thomas Pollock Anshutz
ISBN: 0271023295 9780271023298
OCLC číslo: 53276308
Popis: xxviii, 178 pages : illustrations (some color) ; 24 cm
Obsahy: Refashioning "America" in art --
Negotiating identity after the Civil War in the paintings of Winslow Homer --
A burst of unsettling imagery --
Finding the old world at home --
Winslow Homer, avatar of Americanness --
When America became other in the Adirondack scenes of Winslow Homer --
Postscript: a return to American themes.
Odpovědnost: Randall C. Griffin.
Více informací:

Anotace:

"Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity." "Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism."--Jacket.

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Propojená data


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