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Homer, Eakins, and Anshutz : the search for American identity in the gilded age

ผู้แต่ง: Randall C Griffin; Winslow Homer; Thomas Eakins; Thomas Pollock Anshutz
สำนักพิมพ์: University Park, Pa. : Pennsylvania State University, ©2004.
ครั้งที่พิมพ์/รูปแบบ:   Print book : สิ่งพิมพ์ของรัฐหรือจังหวัด : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
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"Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old  อ่านมากขึ้น…
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ประเภท/แบบฟอร์ม History
ชื่อบุคคล: Winslow Homer; Winslow Homer; Winslow Homer; Winslow Homer
ขนิดวัสดุ: สิ่งพิมพ์รัฐบาล, สิ่งพิมพ์ของรัฐหรือจังหวัด, ทรัพยากรอินแทอร์เน็ต
ประเภทของเอกสาร: หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Randall C Griffin; Winslow Homer; Thomas Eakins; Thomas Pollock Anshutz
ISBN: 0271023295 9780271023298
OCLC Number: 53276308
คำอธิบาย: xxviii, 178 pages : illustrations (some color) ; 24 cm
สารบัญ: Refashioning "America" in art --
Negotiating identity after the Civil War in the paintings of Winslow Homer --
A burst of unsettling imagery --
Finding the old world at home --
Winslow Homer, avatar of Americanness --
When America became other in the Adirondack scenes of Winslow Homer --
Postscript: a return to American themes.
ความรับผิดชอบ: Randall C. Griffin.
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บทคัดย่อ:

"Randall Griffin's book examines the ways in which artists and critics sought to construct a new identity for America during the era dubbed the Gilded Age because of its leaders' taste for opulence. Artists such as Winslow Homer, Thomas Eakins, and Thomas Anshutz explored alternative "American" themes and styles, but widespread belief in the superiority of European art led them and their audiences to look to the Old World for legitimacy. This rich, never-resolved contradiction between the native and autonomous, on the one hand, and, on the other, the European and borrowed serves as the armature of Griffin's innovative look at how and why the world of art became a key site in the American struggle for identity." "Homer, Eakins, and Anshutz will be of importance to all those interested in American culture as well as to specialists in art history and art criticism."--Jacket.

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