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Honouring tradition : reframing native art

Author: Beth Carter; Melanie Kjorlien; Glenbow Museum.; et al
Publisher: Calgary : Glenbow Museum, ©2008.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Dispels the traditional view that historical objects are artifacts and separate from contemporary Aboriginal practice. Rather, Aboriginal art from the late 1800s through the present is merged to highlight the ongoing links to tradition, history and culture. Honouring tradition brings new perspectives to both historical and contemporary works and creates a dialogue around the complexity of Aboriginal art from the  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Expositions
Document Type: Book
All Authors / Contributors: Beth Carter; Melanie Kjorlien; Glenbow Museum.; et al
ISBN: 9781895379587 189537958X
OCLC Number: 227006311
Notes: Published on the occasion of the exhibition Honouring tradition: reframing Native art at the Glenbow Museum, Calgary, Feb. 16 to July 13, 2008, organized by the Glenbow Museum.
"Dispels the traditional view that historical objects are artifacts and separate from contemporary Aboriginal practice. Rather, Aboriginal art from the late 1800s through the present is merged to highlight the ongoing links to tradition, history and culture. Honouring tradition brings new perspectives to both historical and contemporary works and creates a dialogue around the complexity of Aboriginal art from the northern plains and subarctic regions of Canada"--Page [21].
Description: 151 pages : illustrations (chiefly color), 1 map, portraits ; 28 cm
Contents: Connections & complexity / Gerald T. Conaty --
A breath of fresh air / Frederick R. McDonald --
Continuing tradition / Quyen Hoang --
Traditional / Faye HeavyShield --
Connecting / Tanya Harnett --
My father, my mother / Terrance Houle --
Looking over the enemy / Adrian A. Stinson.
Other Titles: Reframing native art
Responsibility: Beth Carter ... [et al. ; edited by Melanie Kjorlien].

Abstract:

"Dispels the traditional view that historical objects are artifacts and separate from contemporary Aboriginal practice. Rather, Aboriginal art from the late 1800s through the present is merged to highlight the ongoing links to tradition, history and culture. Honouring tradition brings new perspectives to both historical and contemporary works and creates a dialogue around the complexity of Aboriginal art from the northern plains and subarctic regions of Canada"--Page [21].

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