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How the West was sung : music in the Westerns of John Ford

Auteur : Kathryn Marie Kalinak
Éditeur : Berkeley : University of California Press, ©2007.
Édition/format :   Livre imprimé : State or province government publication : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :

Provides a comprehensive analysis of Ford's use of music in his iconic westerns. Covering a variety of critical approaches and incorporating original archival research, this book explores the  Lire la suite...

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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : John Ford; Ford; John Ford; John Ford, Regisseur.; John Ford
Type d’ouvrage : Government publication, State or province government publication, Ressource Internet
Format : Book, Internet Resource
Tous les auteurs / collaborateurs : Kathryn Marie Kalinak
ISBN : 9780520252332 0520252330 9780520252349 0520252349
Numéro OCLC : 76064688
Description : x, 256 pages : illustrations, music ; 23 cm
Contenu : Introduction --
How the West was sung : music in the life and films of John Ford --
Hearing the music in John Ford's silents : The iron horse and 3 bad men --
"Based on American folk songs" : scoring the West in Stagecoach --
Two Fordian film scores : My darling Clementine and The man who shot Liberty Valance --
"Western as hell": 3 godfathers and Wagon master --
"The girl I left behind me" : men, women, and Ireland in the cavalry trilogy --
"What makes a man to wander" : The searchers --
In the shadow of The searchers : Two rode together and Sergeant Rutledge --
Cheyenne autumn : a conclusion.
Responsabilité : Kathryn Kalinak.
Plus d’informations :

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Synopsis de l’éditeur

"Kalinak artfully weaves the history and pedigree of nearly every tune [in] Ford's Westerns ... with their social and cultural meanings."--Notes "Thoroughly researched and well-written... Lire la suite...

 
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