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|Document Type:||Visual material|
|All Authors / Contributors:||
Jeanne C Finley; Doug DuBois; John H Muse; Antonia Kao; Fronza Woods; Tricia Creason Valencia; Johanna Bermúdez Ruíz; William Virginia Basquin
|Notes:||Compilation of six short films by primarily women directors.|
|Description:||1 videocassette (93 min.) : sd., col. and b&w ; 1/2 in.|
|Details:||Betacam SP L (10 in. x 5 1/2 in.).|
|Contents:||Loss prevention / Jeanne C. Finley, Doug Dubois, John H. Muse (2000, 18 min.) --
Straight white men & me / Antonia Kao (2000, 23 min.) --
Fannie's file / Fronza Woods (1981, 15 min.) --
Eighty layers of me (that you'll have to survive) / Tricia Creason Valencia (2000, 10 min.) --
Vieques, un pueblo forjando futuros / Johanna Bermúdez Ruíz (2000, 18 min.) --
The ride / William Virginia Basquin (2000, 9 min.).
|Other Titles:||Loss prevention.
Straight white men & me.
Straight white men and me.
Eighty layers of me (that you'll have to survive)
Vieques, un pueblo forjando futuros.
Women in the Director's Chair presents
Straight white men & me: The director, a Taiwanese American lesbian, interviews five representative "straight white men" in an effort to come to grips with her problematic relations with that category of person, and in the process discovers she actually likes most of them.
Fannie's file: A middle-aged black woman talks about her unremarkable job as a cleaning lady at a fitness club, and reveals how unremarkable in turn she finds the attractive young white people who are its clients.
Eighty layers of me (that you'll have to survive): Young female cheerleaders are filmed practicing their routines, and middle-aged former cheerleaders are interviewed about their cheerleading glory days.
Vieques, un pueblo forjando futuros: A documentary about the Caribbean island of Vieques, off of Puerto Rico, and its history of conflict with the U.S. Includes interviews with some of its often angry native residents.
The ride: A female taxi driver, passing as a man, picks up an attractive blond woman, buys her lunch, and drops her off at her apartment, where the woman's boyfriend pays her fare.