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How to read Chinese paintings

Auteur : Maxwell K Hearn; Metropolitan Museum of Art (New York, N.Y.)
Éditeur : New York : Metropolitan Museum of Art ; New Haven : Yale University Press, ©2008.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"The Chinese way of appreciating a painting is often expressed by the words du hua, "to read a painting." How does one do that? Because art is a visual language, words alone cannot adequately convey its expressive dimension. How to Read Chinese Paintings seeks to visually analyze thirty-six paintings and calligraphies from the encyclopedic collection of The Metropolitan Museum of Art in order to elucidate what makes  Lire la suite...
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Détails

Genre/forme : Exhibition catalogs
Exhibitions
Format – détails additionnels : Online version:
Hearn, Maxwell K.
How to read Chinese paintings.
New York : Metropolitan Museum of Art ; New Haven : Yale University Press, c2008
(OCoLC)629894851
Type d’ouvrage : Ressource Internet
Format : Livre, Ressource Internet
Tous les auteurs / collaborateurs : Maxwell K Hearn; Metropolitan Museum of Art (New York, N.Y.)
ISBN : 9781588392817 ) 1588392813 (Metropolitan Museum of Art (pb)) 9780300141870 (Yale University Press (pb)) 0300141874 (Yale University Press (pb)
Numéro OCLC : 192109717
Notes : "This volume is published in conjunction with the exhibition 'Anatomy of a masterpiece: how to read Chinese paintings,' organized by The Metropolitan Museum of Art, New York, and held there from March 1 through August 10, 2008"--t.p. verso.
Description : ix, 173 p. : ill. (some col.), maps ; 31 cm.
Contenu : Dynastic chronology --
Introduction --
Dragon steed --
Portraying talent --
Exquisite discipline --
The vastness and multiplicity of creation --
Landscape of emotion --
Magic realism --
The subtle subversive --
Expressive freedom in banishment --
Envisioning introspection --
Evocative abbreviation --
A private world --
Dream vision --
The zen of painting --
The perfection of nature --
Identification with nature --
Archaism as activist art --
Painting as calligraphy --
Controlled spontaneity --
Iron-wire lines --
Meticulous miniaturist --
The integration of poetry, painting, and calligraphy --
Pictorial diary I : Hard times --
Pictorial diary II : Contentment at life's end --
Conceptual landscape --
Visionary mountains --
Escapist fantasy --
Imaging an ideal world --
Martial virtue --
Proud defiance --
Portraiture as archetype --
Physiognomy as art --
Holy grotesques --
A declaration of faith --
The artifice of art --
Landscape as self-portrait --
Less is more.
Responsabilité : Maxwell K. Hearn.
Plus d’informations :

Résumé :

The Chinese often use the expression du hua, 'to read a painting', in connection with their study and appreciation of such works. This volume 'reads' thirty-six masterpieces of Chinese painting from  Lire la suite...

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