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I, Fellini

Autor: Charlotte Chandler
Editora: New York : Random House, ©1995.
Edição/Formato   Print book : Inglês : 1st U.S. edVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
At times philosophical, occasionally engagingly self-deprecating, I, Fellini helps explain how the word "Felliniesque" was added to the language. There is generous commentary on actors Marcello Mastroianni, Anita Ekberg, Sophia Loren, and Anna Magnani, and on directors such as Roberto Rossellini, Ingmar Bergman, and Michelangelo Antonioni. Most often, Fellini speaks of the enchanting Giulietta Masina, the leading  Ler mais...
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Detalhes

Gênero/Forma: Interviews
Formato Físico Adicional: Online version:
Chandler, Charlotte.
I, Fellini.
New York : Random House, ©1995
(OCoLC)604474942
Pessoa Denominada: Federico Fellini; Federico Fellini; Federico Fellini
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Charlotte Chandler
ISBN: 0679440321 9780679440321
Número OCLC: 32051337
Notas: Includes index.
Descrição: xxiv, 419 pages : illustrations ; 24 cm
Conteúdos: Pt. 1: Federico --
Dreams are the only reality --
Expected at the circus --
Garbo's eyelashes --
Home of the heart --
Her best director, but not her best husband --
Funny faces to neorealism --
The goose and the director --
Pt. 2: Federico Fellini --
Making films is making love --
From the street corners of Rimini to the Via Veneto --
Jung as an older brother --
My guardian angel could only be a woman --
Comic strips, clowns, and classics --
The fragility of life --
Pt. 3: Fellini --
A legend and the small screen --
Daymares and nightdreams --
Building a set is the best way to travel --
An Oscar with a pimple on your nose --
Interviewers who join the foreign legion --
Making films is more exciting than seeing them --
"That must be her husband, Fellini" --
Magic and pasta --
Death is so very alive --
The veiled lady of the Fulgor.
Outros Títulos: Ich, Fellini.
Responsabilidade: Charlotte Chandler.
Mais informações:

Resumo:

At times philosophical, occasionally engagingly self-deprecating, I, Fellini helps explain how the word "Felliniesque" was added to the language. There is generous commentary on actors Marcello Mastroianni, Anita Ekberg, Sophia Loren, and Anna Magnani, and on directors such as Roberto Rossellini, Ingmar Bergman, and Michelangelo Antonioni. Most often, Fellini speaks of the enchanting Giulietta Masina, the leading lady of many of his films and of his life.

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