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I & I

Autor: George Elliott Clarke
Editorial: Fredericton, N.B. : Goose Lane, ©2009.
Edición/Formato:   Libro : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of  Leer más
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Detalles

Tipo de documento: Libro/Texto
Todos autores / colaboradores: George Elliott Clarke
ISBN: 9780864925138 0864925131
Número OCLC: 232131194
Notas: Poems.
Descripción: 237 p. : ill. ; 22 cm.
Otros títulos: I and I
Responsabilidad: George Elliot Clarke.

Resumen:

"In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people, or the distinction between body and spirit. In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues. Clarke fearlessly plumbs repugnant images, then, in a breath, wipes the slate clean with glistening language."--BOOK JACKET.

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Datos enlazados


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schema:reviewBody""In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people, or the distinction between body and spirit. In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues. Clarke fearlessly plumbs repugnant images, then, in a breath, wipes the slate clean with glistening language."--BOOK JACKET."
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