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I & I

著者: George Elliott Clarke
出版商: Fredericton, N.B. : Goose Lane, ©2009.
版本/格式:   Print book : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of  再读一些...
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文件类型:
所有的著者/提供者: George Elliott Clarke
ISBN: 9780864925138 0864925131
OCLC号码: 232131194
注意: Poems.
描述: 237 pages : illustrations ; 22 cm
其他题名: I and I
责任: George Elliot Clarke.

摘要:

"In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people, or the distinction between body and spirit. In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues. Clarke fearlessly plumbs repugnant images, then, in a breath, wipes the slate clean with glistening language."--Jacket.

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   schema:reviewBody ""In the "Boogie Nights" era of the 1970s, Betty Browning and her lover, boxer Malcolm Miles, travel from the fog-anchored grime of Halifax, Nova Scotia, to sunburnt Corpus Christi, Texas, and back - meeting tragedy and bloodshed along the way. I & I smoulders with love, lust, violence, and the excruciating repercussions of racism, sexism, and disgust. Rastafarian for "you and me," "I & I" expresses the oneness of God and man, the oneness of two people, or the distinction between body and spirit. In George Elliott Clarke's hands, this existential aesthetic crystallizes in a love story of Gothic grit. The narrative gives this verse novel shape; the poetry makes it sing, straddling folk ballad, soul, and pop music, all the while moaning the blues. Clarke fearlessly plumbs repugnant images, then, in a breath, wipes the slate clean with glistening language."--Jacket." ;
    .


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