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The iconography of Job through the centuries : artists as Biblical interpreters
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The iconography of Job through the centuries : artists as Biblical interpreters

Author: Samuel L Terrien
Publisher: University Park, Pa. : Pennsylvania State University Press, ©1996.
Edition/Format:   Book : English
Summary:
Do artists who deal with biblical scenes study the texts that inspire them? At the same time, do scholars pay attention to artists as biblical interpreters? Eminent biblical scholar Samuel Terrien seeks to answer these questions in this first ever comprehensive survey of Jobian iconography from the third century to modern times. Through an analysis of the varying depictions of Job, he finds that artists were not
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Genre/Form: Art
Additional Physical Format: Online version:
Terrien, Samuel L., 1911-
Iconography of Job through the centuries.
University Park, Pa. : Pennsylvania State University Press, c1996
(OCoLC)605592263
Named Person: Job, (Biblical figure); Job, (Personnage biblique); Job, (personnage biblique); Job, Bible character.
Document Type: Book
All Authors / Contributors: Samuel L Terrien
ISBN: 0271015284 9780271015286
OCLC Number: 33207415
Description: xxxv, 308 p. : ill. (some col.) ; 29 cm.
Contents: Introduction: Artists and the Book of Job --
Pt. 1. The Prophet of New Life. Ch. 1. The Dura-Europos Synagogue. Ch. 2. The Viale Manzoni Hypogeum. Ch. 3. The Roman Catacombs. Ch. 4. Sarcophagi of the Byzantine Age --
Pt. 2. The Philosopher of Suffering. Ch. 5. The Patmos Illuminations. Ch. 6. Medieval Manuscript Illuminations. Ch. 7. Romanesque and Gothic Sculpture. Ch. 8. The Late Gothic Age --
Pt. 3. Intercessor for Sexual Reprobates. Ch. 9. Job and the Musicians. Ch. 10. Renaissance Paintings. Ch. 11. Folk Art in Flanders and New Mexico. Ch. 12. The Baroque Splendor --
Pt. 4. The Existential Man. Ch. 13. From Pathos to Bathos. Ch. 14. Blake: Le Mal du Siecle. Ch. 15. Fin de Siecle. Ch. 16. The Will to Live.
Responsibility: Samuel Terrien.

Abstract:

Do artists who deal with biblical scenes study the texts that inspire them? At the same time, do scholars pay attention to artists as biblical interpreters? Eminent biblical scholar Samuel Terrien seeks to answer these questions in this first ever comprehensive survey of Jobian iconography from the third century to modern times. Through an analysis of the varying depictions of Job, he finds that artists were not usually subservient to directives of religious authorities; rather, they often contradicted or preceded the exegetical trends of these commentators.

This rich interdisciplinary work reveals for the first time that Jobian artists saw in the ancient hero not only the prophet of a new life or the model of revolt and faith but also - and surprisingly - the intercessor of sexual reprobates, the patron saint of musicians, and, in modern times, the existential man.

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