跳到内容
Illusions in motion : media archaeology of the moving panorama and related spectacles 预览资料
关闭预览资料
正在查...

Illusions in motion : media archaeology of the moving panorama and related spectacles

著者: Erkki Huhtamo
出版商: Cambridge Massachusetts : The MIT Press, [2013]
丛书: Leonardo book series.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early  再读一些...
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在线查找

与资料的链接

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Erkki Huhtamo
ISBN: 9780262018517 0262018519
OCLC号码: 779740461
描述: xix, 438 pages : illustrations ; 24 cm.
内容: Preface: The Formation of a Panoramaniac --
Introduction: Moving Panorama-a Missing Medium --
The Incubation Era: Antecedents and Anticipations --
Large as Life, and Moving: The Peristrephic Panorama --
Rolling Across the Stage: The Moving Panorama and the Theater --
Transformed By The Light: The Diorama and the "Dioramas" --
Panoramania: The Mid-Century Moving Panorama Craze --
Panoramania in Practice: Albert Smith and his Moving Panoramas --
An Excavation: The Moving Panorama Performance --
Intermedial Tug of War: Panoramas and Magic Lanterns --
Sensory Bombardment: A Medium's Final Fanfares --
Imagination in Motion: The Discursive Panorama --
Conclusion: From Panoramas to Media Culture --
Appendix: A List of Surviving Moving Panoramas.
丛书名: Leonardo book series.
责任: Erkki Huhtamo.

摘要:

Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.

评论

社评

出版商概要

I would like to start with two indirect words of praise...for the author, not because he knows his subject so well and is able to communicate his knowledge in such a pleasant and convincing way 再读一些...

 
用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

所有的用户标签 (1)

查看最热门的标签,展示的形式是: 标签列表 | 标签云(tag cloud)

确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/779740461>
library:oclcnum"779740461"
library:placeOfPublication
owl:sameAs<info:oclcnum/779740461>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"2013"
schema:description"Preface: The Formation of a Panoramaniac -- Introduction: Moving Panorama-a Missing Medium -- The Incubation Era: Antecedents and Anticipations -- Large as Life, and Moving: The Peristrephic Panorama -- Rolling Across the Stage: The Moving Panorama and the Theater -- Transformed By The Light: The Diorama and the "Dioramas" -- Panoramania: The Mid-Century Moving Panorama Craze -- Panoramania in Practice: Albert Smith and his Moving Panoramas -- An Excavation: The Moving Panorama Performance -- Intermedial Tug of War: Panoramas and Magic Lanterns -- Sensory Bombardment: A Medium's Final Fanfares -- Imagination in Motion: The Discursive Panorama -- Conclusion: From Panoramas to Media Culture -- Appendix: A List of Surviving Moving Panoramas."@en
schema:description"Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/1211562127>
schema:inLanguage"en"
schema:name"Illusions in motion : media archaeology of the moving panorama and related spectacles"@en
schema:url
schema:workExample

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.