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Illusions in motion : media archaeology of the moving panorama and related spectacles

作者: Erkki Huhtamo
出版商: Cambridge Massachusetts : The MIT Press, [2013]
叢書: Leonardo book series.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early  再讀一些...
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資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Erkki Huhtamo
ISBN: 9780262018517 0262018519
OCLC系統控制編碼: 779740461
描述: xix, 438 pages : illustrations ; 24 cm
内容: Preface: The Formation of a Panoramaniac --
Introduction: Moving Panorama-a Missing Medium --
The Incubation Era: Antecedents and Anticipations --
Large as Life, and Moving: The Peristrephic Panorama --
Rolling Across the Stage: The Moving Panorama and the Theater --
Transformed By The Light: The Diorama and the "Dioramas" --
Panoramania: The Mid-Century Moving Panorama Craze --
Panoramania in Practice: Albert Smith and his Moving Panoramas --
An Excavation: The Moving Panorama Performance --
Intermedial Tug of War: Panoramas and Magic Lanterns --
Sensory Bombardment: A Medium's Final Fanfares --
Imagination in Motion: The Discursive Panorama --
Conclusion: From Panoramas to Media Culture --
Appendix: A List of Surviving Moving Panoramas.
叢書名: Leonardo book series.
責任: Erkki Huhtamo.

摘要:

Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.

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I would like to start with two indirect words of praise...for the author, not because he knows his subject so well and is able to communicate his knowledge in such a pleasant and convincing way 再讀一些...

 
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