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The image to come : how cinema inspires photographers

Author: Diane DufourSerge ToubianaFannie DebanneMatthieu OrléanAnna PlanasAll authors
Publisher: [Paris] : Magnumsteidl ; [Göttingen] : [Steidl], 2007.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Magnum Photos and the Cinematheque Francaise sendt 10 photographers to the movies and asked them to create original work in response to the oeuvre of a film director who has influenced their vision. In carrying out the assignment, Abbas, Antoine D'Agata, Bruce Gilden, Harry Gruyaert, Gueorgui Pinkhassov, Gilles Peress, Mark Power, Alec Soth, Donovan Wylie and Patrick Zachmann have set out to absorb all the mixed  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Document Type: Book
All Authors / Contributors: Diane Dufour; Serge Toubiana; Fannie Debanne; Matthieu Orléan; Anna Planas; Cinémathèque française.; Centre de Cultura Contemporània de Barcelona.
ISBN: 9783865213969 3865213960
OCLC Number: 156888548
Notes: "This catalogue was published to accompany 'The Image to Come', on show at the Cinémathèque Française in Paris from April 4 to July 30, 2007 with support of Orange, our founding partner. The exhibition was co-produced with the CCCB, Centre de Cultura Contemporània de Barcelona"--Page [8].
Description: 279 pages : illustrations (some color) ; 22 x 29 cm
Contents: Gilles Peress --
Harry Gruyaert --
Abbas --
Alec Soth --
Bruce Gilden --Mark Power --
Gueorgui Pinkhassov --
Donovan Wylie --
Patrick Zachmann --
Antoine d'Agata.
Responsibility: [chief exhibition curators, Diane Dufour, Serge Toubiana ; in collaboration with Fannie Debanne, Matthieu Orléan, assisted by Anna Planas].

Abstract:

Magnum Photos and the Cinematheque Francaise sendt 10 photographers to the movies and asked them to create original work in response to the oeuvre of a film director who has influenced their vision. In carrying out the assignment, Abbas, Antoine D'Agata, Bruce Gilden, Harry Gruyaert, Gueorgui Pinkhassov, Gilles Peress, Mark Power, Alec Soth, Donovan Wylie and Patrick Zachmann have set out to absorb all the mixed media that differentiates the moving image from their own intensely distilled single frames: Beyond prints, projections and film stills, they consider audio-visual material, written notes, soundtracks, and publications, each in his own way exploring the domain of the visible. Among their subjects: Pinkhassov looks at Andrei Tarkovski, Gruyaert at Michelangelo Antonioni, Abbas at Roberto Rossellini, Power at Krzysztof Kieslowski, Soth at Wim Wenders and Gilden more broadly at film noir from the 40s and 50s.

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