aller au contenu
Impression : painting quickly in France, 1860-1890 Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Impression : painting quickly in France, 1860-1890

Auteur : Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
Éditeur : New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., ©2000.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Exhibition catalogs
Exhibitions
Expositions
Personne nommée : Edgar Degas; Vincent van Gogh; Édouard Manet; Berthe Morisot; Jean-Baptiste-Camille Corot; Alfred Sisley; Auguste Renoir; Claude Monet; Jean-Baptiste-Camille Corot; Edgar Degas; Vincent van Gogh; Édouard Manet; Claude Monet; Berthe Morisot; Auguste Renoir; Alfred Sisley
Format : Livre
Tous les auteurs / collaborateurs : Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
ISBN : 0300084463 9780300084467 0300084471 9780300084474
Numéro OCLC : 45438111
Notes : Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001.
Description : 240 p. : ill. (chiefly col.), ports. ; 28 cm.
Contenu : The Impression in 1874 --
Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression --
Edouard Manet and performative painting --
Claude Monet and the development of the Impression --
Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic --
Alfred Sisley : the Impression, graphism, and automatic writing --
Could Edgar Degas paint an Impression --
Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? --
Coda : was van Gogh an Impressionist? --
Appendix : Laforgue's essay on Impressionism.
Responsabilité : Richard R. Brettell.

Résumé :

An investigation of the impressions, or painted sketches, that were actually done on the spot in France between 1860 and 1890. The book also surveys the various practices of individual artists in the  Lire la suite...

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Tous les tags des utilisateurs (1)

Voir les tags les plus utilisés sous forme de : liste de tags | nuage de tags

Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/45438111>
library:oclcnum"45438111"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/45438111>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
<http://viaf.org/viaf/145164344>
rdf:typeschema:Organization
schema:name"Sterling and Francine Clark Art Institute."
schema:contributor
schema:contributor
schema:contributor
schema:copyrightYear"2000"
schema:creator
schema:datePublished"2000"
schema:description"The Impression in 1874 -- Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression -- Edouard Manet and performative painting -- Claude Monet and the development of the Impression -- Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic -- Alfred Sisley : the Impression, graphism, and automatic writing -- Could Edgar Degas paint an Impression -- Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? -- Coda : was van Gogh an Impressionist? -- Appendix : Laforgue's essay on Impressionism."@en
schema:description"The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/836990412>
schema:genre"Exhibition catalogs."@en
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Impression : painting quickly in France, 1860-1890"@en
schema:numberOfPages"240"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.