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Impression : painting quickly in France, 1860-1890

Autor: Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
Editora: New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., ©2000.
Edição/Formato   Livro : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for  Ler mais...
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Detalhes

Gênero/Forma: Exhibition catalogs
Exhibitions
Expositions
Pessoa Denominada: Edgar Degas; Vincent van Gogh; Édouard Manet; Berthe Morisot; Jean-Baptiste-Camille Corot; Alfred Sisley; Auguste Renoir; Claude Monet; Jean-Baptiste-Camille Corot; Edgar Degas; Vincent van Gogh; Édouard Manet; Claude Monet; Berthe Morisot; Auguste Renoir; Alfred Sisley
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
ISBN: 0300084463 9780300084467 0300084471 9780300084474
Número OCLC: 45438111
Notas: Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001.
Descrição: 240 p. : ill. (chiefly col.), ports. ; 28 cm.
Conteúdos: The Impression in 1874 --
Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression --
Edouard Manet and performative painting --
Claude Monet and the development of the Impression --
Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic --
Alfred Sisley : the Impression, graphism, and automatic writing --
Could Edgar Degas paint an Impression --
Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? --
Coda : was van Gogh an Impressionist? --
Appendix : Laforgue's essay on Impressionism.
Responsabilidade: Richard R. Brettell.

Resumo:

An investigation of the impressions, or painted sketches, that were actually done on the spot in France between 1860 and 1890. The book also surveys the various practices of individual artists in the  Ler mais...

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