跳到内容
Impression : painting quickly in France, 1860-1890 预览资料
关闭预览资料
正在查...

Impression : painting quickly in France, 1860-1890

著者: Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
出版商: New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., ©2000.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for  再读一些...
评估:

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

类型/形式: Exhibition catalogs
Exhibitions
Expositions
提及的人: Edgar Degas; Vincent van Gogh; Édouard Manet; Berthe Morisot; Jean-Baptiste-Camille Corot; Alfred Sisley; Auguste Renoir; Claude Monet; Jean-Baptiste-Camille Corot; Edgar Degas; Vincent van Gogh; Édouard Manet; Claude Monet; Berthe Morisot; Auguste Renoir; Alfred Sisley
文件类型:
所有的著者/提供者: Richard R Brettell; National Gallery (Great Britain); Rijksmuseum Vincent van Gogh.; Sterling and Francine Clark Art Institute.
ISBN: 0300084463 9780300084467 0300084471 9780300084474
OCLC号码: 45438111
注意: Catalogue of the exhibition "Impression: painting quickly in France, 1860-1890," National Gallery, London, Nov. 1, 2000-Jan. 28, 2001; Van Gogh Museum, Amsterdam, Mar. 2-May 20, 2001; and Sterling and Francine Clark Art Institute, Williamstown, Mass., June 16-Sept. 9, 2001.
描述: 240 p. : ill. (chiefly col.), ports. ; 28 cm.
内容: The Impression in 1874 --
Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression --
Edouard Manet and performative painting --
Claude Monet and the development of the Impression --
Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic --
Alfred Sisley : the Impression, graphism, and automatic writing --
Could Edgar Degas paint an Impression --
Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? --
Coda : was van Gogh an Impressionist? --
Appendix : Laforgue's essay on Impressionism.
责任: Richard R. Brettell.

摘要:

An investigation of the impressions, or painted sketches, that were actually done on the spot in France between 1860 and 1890. The book also surveys the various practices of individual artists in the  再读一些...

评论

用户提供的评论
正在获取GoodReads评论...
正在检索DOGObooks的评论

标签

所有的用户标签 (1)

查看最热门的标签,展示的形式是: 标签列表 | 标签云(tag cloud)

确认申请

你可能已经申请过这份资料。如果还是想申请,请选确认。

链接数据


<http://www.worldcat.org/oclc/45438111>
library:oclcnum"45438111"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/45438111>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:contributor
<http://viaf.org/viaf/145164344>
rdf:typeschema:Organization
schema:name"Sterling and Francine Clark Art Institute."
schema:contributor
schema:contributor
schema:contributor
schema:copyrightYear"2000"
schema:creator
schema:datePublished"2000"
schema:description"The Impression in 1874 -- Painting as performance : spontaneity and its appearances in painting, and the intellectual origins of the Impression -- Edouard Manet and performative painting -- Claude Monet and the development of the Impression -- Berthe Morisot and Auguste Renoir : the wetness of paint and the sketch aesthetic -- Alfred Sisley : the Impression, graphism, and automatic writing -- Could Edgar Degas paint an Impression -- Gustave Caillebotte and Camille Pissarro : Impressionists without Impressions? -- Coda : was van Gogh an Impressionist? -- Appendix : Laforgue's essay on Impressionism."@en
schema:description"The "point" of Impressionist art was to capture the fleeting moment, the transient effect of a certain place, person or time. Impressionist artists worked on site with speed and directness, hoping to distinguish their works with a new freshness, immediacy, and truthfulness. Yet the paintings they exhibited were in fact almost always completed in the studio later. This beautifully illustrated book investigates for the first time works that might truly be called Impressions--paintings that appear to be rapid transcriptions of shifting subjects but were nonetheless considered finished by their makers. Renowned Impressionist scholar Richard R. Brettell identifies and discusses Impressions by some of the best-known artists of the period, including Manet, Monet, Renoir, Sisley, Morisot, Degas, Pissarro, and Caillebotte. The book surveys the various practices of individual artists in the making, signing, exhibiting, and selling of Impressions. Brettell discusses the pictorial theories behind the paintings, the sales strategies for them, and the various forms they took, including works completed in one sitting, "apparent" Impressions, and repeated Impressions. In a concluding chapter, the author considers a small group of works by Vincent van Gogh, who painted with an almost fanatical rapidity and was the only major post-Impressionist painter to push the aesthetic of the Impression even further."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/836990412>
schema:genre"Exhibition catalogs."@en
schema:genre"Exhibition catalogs"@en
schema:inLanguage"en"
schema:name"Impression : painting quickly in France, 1860-1890"@en
schema:numberOfPages"240"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

关闭窗口

请登入WorldCat 

没有张号吗?很容易就可以 建立免费的账号.