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Impressionism abroad : Boston and French Painting

Author: Erica E Hirshler; Mary Anne Stevens; Royal Academy of Arts (Great Britain); Museum of Fine Arts, Boston.
Publisher: London : Royal Academy of Arts ; New York : Distributed in the United States and Canada by Harry N. Abrams, ©2005.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Database:WorldCat
Summary:
"The Museum of Fine Arts in Boston possesses one of the world's finest collections of nineteenth-century French and American art. This colourful book illustrates many of its highlights." "As she outlines the history of the collection, Erica Hirshler considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters to Monet's door. Their willingness to embrace  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Additional Physical Format: Online version:
Impressionism abroad.
London : Royal Academy of Arts ; New York : Distributed in the United States and Canada by Harry N. Abrams, ©2005
(OCoLC)607611312
Named Person: Eugène Boudin; Jean-Baptiste-Camille Corot; Edgar Degas; Frank Weston Benson; Childe Hassam; William Morris Hunt; Claude Monet; Lilla Cabot Perry; John Singer Sargent; Alfred Sisley
Material Type: Biography
Document Type: Book
All Authors / Contributors: Erica E Hirshler; Mary Anne Stevens; Royal Academy of Arts (Great Britain); Museum of Fine Arts, Boston.
ISBN: 1903973775 9781903973776 1903973600 9781903973608
OCLC Number: 62421656
Notes: Published on the occasion of an exhibition of same name at the Royal Academy of Arts, London, July 2-Sept. 11, 2005.
Includes biographies of the painters and the collectors.
Description: 144 pages : color illustrations, portraits ; 27 cm
Responsibility: [exhibition curators: Erica E. Hirshler, MaryAnne Stevens].

Abstract:

"The Museum of Fine Arts in Boston possesses one of the world's finest collections of nineteenth-century French and American art. This colourful book illustrates many of its highlights." "As she outlines the history of the collection, Erica Hirshler considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters to Monet's door. Their willingness to embrace Impressionism helped to popularise this style of painting throughout the United States." "All the high points of Boston's nineteenth-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts, such as Childe Hassam and Philip Hale."--Jacket.

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