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An improbable life : memoirs

著者: Robert Craft
出版: Nashville : Vanderbilt University Press, 2002.
エディション/フォーマット:   book_printbook : Biography : English : 1st edすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Robert Craft would begin a unique friendship with Stravinsky that would last until the composer's death in 1971. This book tells the story of his "improbable life" before, during, and after his long collaboration with Stravinsky and residence in the Stravinsky household." "It begins with the author's childhood in Kingston, New York, his time in the New York Military Academy prep school in Cornwall-on-Hudson, and
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詳細

ジャンル/形式: Biography
その他のフォーマット: Online version:
Craft, Robert.
Improbable life.
Nashville : Vanderbilt University Press, 2002
(OCoLC)639421756
関連の人物: Robert Craft; Robert Craft; Robert Craft; Robert Craft
資料の種類: Biography, インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Robert Craft
ISBN: 0826513816 9780826513816
OCLC No.: 50235008
注記: Includes index.
物理形態: xi, 448 pages : illustrations ; 25 cm
コンテンツ: Growing up --
The Stravinsky years --
Surviving the legacy.
責任者: by Robert Craft.
その他の情報:

概要:

"Robert Craft would begin a unique friendship with Stravinsky that would last until the composer's death in 1971. This book tells the story of his "improbable life" before, during, and after his long collaboration with Stravinsky and residence in the Stravinsky household." "It begins with the author's childhood in Kingston, New York, his time in the New York Military Academy prep school in Cornwall-on-Hudson, and his entry into Juilliard, cut short by Army service. Soon Craft's musical activities lead him into his relationship with Stravinsky in Hollywood, New York, and elsewhere, all richly documented by Stravinsky's letters in the "Dear Bobsky" section of the book."

"His improbable life becomes a whirlwind of international activity at the cutting edge of modern music (and revival of early music) and in the company of celebrities. By letter or in person, figures like Edwin Hubble, Aldous Huxley, Stephen Spender, T.S. Eliot, W.H. Auden, Pierre Boulez, Elliott Carter, and George Balanchine make their appearances. A whole chapter recreates, through Isaiah Berlin's letters to the author, the texture of the relationship between Stravinsky and Isaiah Berlin that began in London in December 1956 and led to Sir Isaiah's transliteration of the text of Abraham and Isaac for Stravinsky."--Jacket.

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