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The in-between of writing : experience and experiment in Drabble, Duras, and Arendt

Auteur: Eleanor Honig Skoller
Uitgever: Ann Arbor : University of Michigan Press, ©1993.
Editie/Formaat:   Boek : Deelstaats- of provinciale overheidsuitgave : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a
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Aanvullende fysieke materiaalsoort: Online version:
Skoller, Eleanor Honig.
In-between of writing.
Ann Arbor : University of Michigan Press, c1993
(OCoLC)622347936
Genoemd persoon: Margaret Drabble; Marguerite Duras; Hannah Arendt; Margaret Drabble; Marguerite Duras; Hannah Arendt; Margaret Drabble; Marguerite Duras; Hannah Arendt
Genre: Overheidsuitgave, Deelstaats- of provinciale overheidsuitgave
Soort document: Boek
Alle auteurs / medewerkers: Eleanor Honig Skoller
ISBN: 0472102605 9780472102600
OCLC-nummer: 28674951
Opmerkingen: Parts of chapters 2 and 3 are reprinted in rev. form from Critical essays on Margaret Drabble (c1985) and Remains to be seen (1988).
Beschrijving: xiv, 161 p. ; 24 cm.
Andere titels: Inbetween of writing.
Verantwoordelijkheid: Eleanor Honig Skoller.

Fragment:

Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a language, women have been writing more than ever and have been involved with new approaches to writing and reading. Yet postmodernism - a rubric for much of the experimental writing done since World War II - and feminism have largely failed to connect.

What links the English novelist Margaret Drabble, the French novelist and filmmaker Marguerite Duras, and the German-American philosopher and political theorist Hannah Arendt in this study? In readings informed by psychoanalysis, semiotics, linguistics, and deconstruction, Skoller contends that each has a distinct relation to language and a close tie to world history that has remained largely untreated by feminist literary critics. Written at the nexus of feminism and postmodernism, this book makes startling connections between these three seemingly disparate women writers.

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