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The in-between of writing : experience and experiment in Drabble, Duras, and Arendt

ผู้แต่ง: Eleanor Honig Skoller
สำนักพิมพ์: Ann Arbor : University of Michigan Press, ©1993.
ครั้งที่พิมพ์/รูปแบบ:   Print book : สิ่งพิมพ์ของรัฐหรือจังหวัด : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
ฐานข้อมูล:WorldCat
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Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a
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ประเภท/แบบฟอร์ม Criticism, interpretation, etc
รูปแบบทางกายภาพเพิ่มเติม Online version:
Skoller, Eleanor Honig.
In-between of writing.
Ann Arbor : University of Michigan Press, ©1993
(OCoLC)622347936
ชื่อบุคคล: Margaret Drabble; Marguerite Duras; Hannah Arendt; Margaret Drabble; Marguerite Duras; Hannah Arendt; Hannah Arendt; Margaret Drabble; Marguerite Duras; Margaret Drabble; Marguerite Duras; Hannah Arendt
ขนิดวัสดุ: สิ่งพิมพ์รัฐบาล, สิ่งพิมพ์ของรัฐหรือจังหวัด
ประเภทของเอกสาร: หนังสือ
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Eleanor Honig Skoller
ISBN: 0472102605 9780472102600
OCLC Number: 28674951
หมายเหตุ: Parts of chapters 2 and 3 are reprinted in rev. form from Critical essays on Margaret Drabble (c1985) and Remains to be seen (1988).
คำอธิบาย: xiv, 161 pages ; 24 cm
สารบัญ: But to begin at any beginning at least as a beginning is --
Margaret Drabble --
Marguerite Duras --
Hannah Arendt.
ชื่อเรื่องอื่น: Inbetween of writing.
ความรับผิดชอบ: Eleanor Honig Skoller.

บทคัดย่อ:

Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a language, women have been writing more than ever and have been involved with new approaches to writing and reading. Yet postmodernism - a rubric for much of the experimental writing done since World War II - and feminism have largely failed to connect.

What links the English novelist Margaret Drabble, the French novelist and filmmaker Marguerite Duras, and the German-American philosopher and political theorist Hannah Arendt in this study? In readings informed by psychoanalysis, semiotics, linguistics, and deconstruction, Skoller contends that each has a distinct relation to language and a close tie to world history that has remained largely untreated by feminist literary critics. Written at the nexus of feminism and postmodernism, this book makes startling connections between these three seemingly disparate women writers.

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