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The in-between of writing : experience and experiment in Drabble, Duras, and Arendt

作者: Eleanor Honig Skoller
出版商: Ann Arbor : University of Michigan Press, ©1993.
版本/格式:   Print book : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a
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類型/形式: Criticism, interpretation, etc
其他的實體格式: Online version:
Skoller, Eleanor Honig.
In-between of writing.
Ann Arbor : University of Michigan Press, ©1993
(OCoLC)622347936
提及的人: Margaret Drabble; Marguerite Duras; Hannah Arendt; Margaret Drabble; Marguerite Duras; Hannah Arendt; Hannah Arendt; Margaret Drabble; Marguerite Duras; Margaret Drabble; Marguerite Duras; Hannah Arendt
資料類型: 政府刊物, 州政府或者省政府刊物
文件類型: 圖書
所有的作者/貢獻者: Eleanor Honig Skoller
ISBN: 0472102605 9780472102600
OCLC系統控制編碼: 28674951
注意: Parts of chapters 2 and 3 are reprinted in rev. form from Critical essays on Margaret Drabble (c1985) and Remains to be seen (1988).
描述: xiv, 161 pages ; 24 cm
内容: But to begin at any beginning at least as a beginning is --
Margaret Drabble --
Marguerite Duras --
Hannah Arendt.
其他題名: Inbetween of writing.
責任: Eleanor Honig Skoller.

摘要:

Why has the increased prominence of experimental writing in the postmodern era attracted so few women practitioners? The In-Between of Writing examines works by three very different writers to answer this question and to explore the relation of experience and literary experiment. In an effort to write themselves into literary history, to make a place from which they can write, to find a woman's voice and even a language, women have been writing more than ever and have been involved with new approaches to writing and reading. Yet postmodernism - a rubric for much of the experimental writing done since World War II - and feminism have largely failed to connect.

What links the English novelist Margaret Drabble, the French novelist and filmmaker Marguerite Duras, and the German-American philosopher and political theorist Hannah Arendt in this study? In readings informed by psychoanalysis, semiotics, linguistics, and deconstruction, Skoller contends that each has a distinct relation to language and a close tie to world history that has remained largely untreated by feminist literary critics. Written at the nexus of feminism and postmodernism, this book makes startling connections between these three seemingly disparate women writers.

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