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In darkest Hollywood : cinema and apartheid

著者: Peter Davis; Daniel Riesenfeld; Harvey MacKinnon; South African Newsreel.; Nightingale/Villon Productions.
出版商: [S.l.] : Nightingale/Villon, ©1993.
版本/格式:   VHS视频 : VHS录像带   视觉资料 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Turns the lens on filmmakers and the South African society they so often misrepresented. Films generally supported the ethos of racial domination that led to apartheid and it was only after Africans insisted on being heard that they began to be portrayed on-screen as more than mere adjuncts of whites. Includes newsreel footage of violence in South Africa and interviews with producers, directors, screenwriters,  再读一些...
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详细书目

类型/形式: Documentary films
Nonfiction films
Feature films
Interviews
材料类型: 录像
文件类型: 视觉资料
所有的著者/提供者: Peter Davis; Daniel Riesenfeld; Harvey MacKinnon; South African Newsreel.; Nightingale/Villon Productions.
OCLC号码: 33333112
制作人员: Executive producer, Harvey Mackinnon ; writers/producers/editors/camera, Peter Davis, Daniel Riesenfeld.
演员名单: [Part 1] Lewis Nkosi, John Kani, Arthur Maimane, Erica Rutherford, Dolly Rathebe, Lionel Ngakane, Lionel Rogosin. [Part 2] Lewis Nkosi, Antony Thomas, Ross Devenish, Athol Fugard, Harold Nebenzal, Rod Amateau, Jamie Uys, John Marshall, Mbulelo Mzamane, Mfundi Vundla, Andre Brink, Richard Attenborough, Denzel Washington, Kevin Kline, John Matshikiza, Euzhan Palcy, Zakes Mokae, Oliver Schmitz, Thomas Mogotlane.
描述: 2 videocassettes (108 min.) : sd., col. with b&w sequences ; 1/2 in.
详述: VHS.
内容: Motion pictures: [Part 1] African Jim (1949)--Zonk (1950)--Cry, the Beloved Country (1951)--Untamed (1954)--Come Back Africa (1959)--News coverage by South African Newsreel (1960) --
[Part 2] Anatomy of Apartheid (1971?)--Wild Season (1967)--Boesman and Lena (1973)--Wilby Conspiracy (1974)--Six Days in Soweto (1976)--The God's Must Be Crazy (1979)--Cry Freedom (1987)--A Dry White Season (1989)--Mapantsula (1988).
责任: a Nightingale/Villon Production.

摘要:

Turns the lens on filmmakers and the South African society they so often misrepresented. Films generally supported the ethos of racial domination that led to apartheid and it was only after Africans insisted on being heard that they began to be portrayed on-screen as more than mere adjuncts of whites. Includes newsreel footage of violence in South Africa and interviews with producers, directors, screenwriters, authors and actors who expound upon films they have been instrumental in producing which explored the conditions of black South Africans.

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Primary Entity

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