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In the American grain : Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : the Stieglitz Circle at the Phillips Collection แสดงตัวอย่างรายการนี้
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In the American grain : Arthur Dove, Marsden Hartley, John Marin, Georgia O'Keeffe, and Alfred Stieglitz : the Stieglitz Circle at the Phillips Collection

ผู้แต่ง: Elizabeth Hutton Turner; Phillips Collection.
สำนักพิมพ์: Washington, D.C. : Counterpoint ; [Emeryville, Calif.] : Distributed by Publishers Group West, ©1995.
ครั้งที่พิมพ์/รูปแบบ:   พิมพ์หนังสือ : ภาษาอังกฤษดูครั้งที่พิมพ์และรูปแบบ
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During the 1920s and 1930s, Alfred Stieglitz's stylish New York galleries were a mecca to artistic innovators and avant garde thinkers, those struggling to cast off the burden of American puritanical thought and the fixed idea among the intellectual elite that important art, art that was real and would last, was being made only in Europe. At the same time Duncan Phillips, a determined art collector and heir to a  อ่านมากขึ้น…
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Phillips Collection.
In the American grain.
Washington, D.C. : Counterpoint ; [Emeryville, Calif.] : Distributed by Publishers Group West, ©1995
(OCoLC)629803837
ชื่อบุคคล: Alfred Stieglitz; Arthur Garfield Dove; Marsden Hartley; John Marin; Georgia O'Keeffe; Alfred Stieglitz; Alfred Stieglitz
ขนิดวัสดุ: ทรัพยากรอินแทอร์เน็ต
ประเภทเอกสาร หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต
ผู้แต่งทั้งหมด : ผู้แต่งร่วม Elizabeth Hutton Turner; Phillips Collection.
ISBN: 1887178015 9781887178013
OCLC Number: 32820781
หมายเหตุ "In association with the Phillips Collection."
คำอธิบาย: 192 pages : illustrations (some color) ; 31 cm
สารบัญ: The Stieglitz Circle at The Phillips Collection / Elizabeth Hutton Turner --
In the American Grain: Color Plates --
Selected Correspondence / Leigh Bullard Weisblat / Edited by Elizabeth Hutton Turner --
Kindred Spirits: A Chronology / Leigh Bullard Weisblat.
ความรับผิดชอบ: Elizabeth Hutton Turner.

บทคัดย่อ:

During the 1920s and 1930s, Alfred Stieglitz's stylish New York galleries were a mecca to artistic innovators and avant garde thinkers, those struggling to cast off the burden of American puritanical thought and the fixed idea among the intellectual elite that important art, art that was real and would last, was being made only in Europe. At the same time Duncan Phillips, a determined art collector and heir to a steel fortune, opened two rooms of his Washington, D.C., home to begin a museum of modern art. Although he collected some of the world's masterpieces, especially French Impressionism, he kept a diligent eye on the work being done in his own country. That Stieglitz and Phillips would meet was destiny. Their long friendship, sometimes an uneasy alliance, brought forth a reevaluation of art in American culture. Their combined vision and resources invigorated a movement and prepared the way for public acceptance of American modernism. The uniquely American style of the artists in the Stieglitz circle - Arthur Dove, Marsden Hartley, John Marin, and Georgia O'Keeffe - defied European tradition and opened the door for artistic experimentation. In the American Grain gathers the Stieglitz circle as acquired by Phillips: paintings by all four artists, watercolors by Dove and Marin, assemblages by Dove, and Stieglitz's "Equivalents," his acclaimed photographs of clouds and sky. The bold, original style of the works included here stand together to signal a shift in the development of art - its coming of age in America.

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