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In the break : the aesthetics of the Black radical tradition

Author: Fred Moten
Publisher: Minneapolis : University of Minnesota Press, ©2003.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Database:WorldCat
Summary:
Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance culture, politics, sexuality, identity, and blackness itself is improvisation.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Moten, Fred.
In the break.
Minneapolis : University of Minnesota Press, ©2003
(DLC) 2002151661
(OCoLC)50844085
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Fred Moten
ISBN: 9780816694525 0816694524
OCLC Number: 191952564
Description: 1 online resource (xii, 315 pages)
Contents: Acknowledgments; Resistance of the Object: Aunt Hester's Scream; 1. The Sentimental Avant-Garde; 2. In the Break; 3. Visible Music; Notes; Index.
Responsibility: Fred Moten.
More information:

Abstract:

Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance culture, politics, sexuality, identity, and blackness itself is improvisation.

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