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Détails
| Format – détails additionnels : | Online version: Notley, Alice, 1945- In the pines. New York : Penguin Books, 2007 (OCoLC)608388863 Online version: Notley, Alice, 1945- In the pines. New York : Penguin Books, 2007 (OCoLC)608578845 |
|---|---|
| Type d’ouvrage : | Ressource Internet |
| Format : | Livre, Ressource Internet |
| Tous les auteurs / collaborateurs : |
Alice Notley |
| ISBN : | 9780143112549 0143112546 |
| Numéro OCLC : | 87770847 |
| Description : | xii, 131 p. ; 23 cm. |
| Contenu : | In the pines -- The black trailor -- Household -- Entering the jewel -- The old one -- In forgetting -- God has money -- In the garden -- Inside -- Immigrants -- This plot -- Conspiracy -- Locust -- Hemostatic -- Our violent times -- Ladonna -- When you could hear them all the time -- The girls -- My lady shadow -- Dialogue in the glass dimensions -- The portion accruing to ears -- I can't speak to you -- To preachers -- You have no idea -- To the poem -- The main offense -- In the circuit -- Song -- Culture scarf -- Beneath you. |
| Titre de collection : | Penguin poets. |
| Responsabilité : | Alice Notley. |
| Plus d’informations : |
Critiques
Critiques des utilisateurs de WorldCat (1)
Somewhere between a prayer, a fable, and an evocation...
Alice Notley has helped guide and challenge contemporary poetics for over thirty years. Her poems exist somewhere between a prayer, a fable, and an evocation. In the Pines continues with this; it is mythic, of-the-earth. Directly comparing In the Pines to other poetic work is difficult,...
Lire la suite...
Alice Notley has helped guide and challenge contemporary poetics for over thirty years. Her poems exist somewhere between a prayer, a fable, and an evocation. In the Pines continues with this; it is mythic, of-the-earth. Directly comparing In the Pines to other poetic work is difficult, but fans of Elizabeth Willis and Jack Spicer will be pleased with this collection for its lyricism and magic. Notley has created a triptych, an environment, wherein transformation is a constant. Protean and feminine in its narrative, we read of speakers shifting, flickering almost, from state to state, sometimes so fast not even they know what state they inhabit: "I'm turning into something I never foresaw. When I get there I'll recognize it." This collection never settles--it pulses from prose to verse, from concept to concrete thing-itself. In the Pines stalks, haunts, and sings.
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de emcelroy mise à jour 2011-12-18


