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Institutions of modernism : literary elites and public culture

Author: Lawrence S Rainey
Publisher: New Haven, Conn. : Yale University Press, ©1998.
Series: Henry McBride series in modernism and modernity.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to particular audiences. Delving into previously
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Genre/Form: Criticism, interpretation, etc
History
Named Person: T S Eliot; F T Marinetti; H. D.; James Joyce; Ezra Pound; T S Eliot; Filippo Tommaso Marinetti; H. D.; James Joyce; Ezra Pound; T S Eliot; H. D.; James Joyce; F T Marinetti; Ezra Pound; James Joyce; H. D; Thomas Stearns Eliot; Ezra Pound; Filippo Tommaso Marinetti; Filippo T Marinetti
Document Type: Book
All Authors / Contributors: Lawrence S Rainey
ISBN: 0300070500 9780300070507
OCLC Number: 39235536
Description: x, 227 pages : illustrations ; 25 cm.
Contents: The creation of the avant-garde: F.T. Marinetti and Ezra Pound --
Consuming investments: Joyce's Ulysses --
The price of modernism: publishing The waste land --
From the patron to il duce: Ezra Pound's Odyssey --
Patronage and the poetics of the coterie: H.D. in the modernist canon.
Series Title: Henry McBride series in modernism and modernity.
Responsibility: Lawrence Rainey.

Abstract:

This book provides a radical and revisionary account of modernism, its many contradictions, and its troubled place in our public culture. Lawrence Rainey, widely known for his contributions to the debates on modernism, looks beyond the well-examined themes and innovative forms of the movement, asking instead where modernism was produced and how it was transmitted to particular audiences. Delving into previously unexamined primary materials, the author tells new and startling stories about five major modernist figures - James Joyce, T.S. Eliot, Ezra Pound, H.D., and F.T. Marinetti - whose individual tales offer fresh perspectives on the larger story of modernism itself.

The book ranges in time from the formation of Imagism in 1912 to the slow dissolution of modernism during the late 1930s.

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