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The instrumental music of Schmeltzer, Biber, Muffat and their contemporaries

著者: Charles E Brewer
出版商: Farnham, Surrey, England ; Burlington, VT : Ashgate Pub., ©2011.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and  再读一些...
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类型/形式: Criticism, interpretation, etc
提及的人: Johann Heinrich Schmelzer; Heinrich Ignaz Franz Biber; Georg Muffat; Karl Liechtenstein-Castelcorn; Heinrich Ignaz Franz Biber; Georg Muffat; Johann Heinrich Schmelzer; Heinrich Ignaz Franz Biber; Karl Liechtenstein-Castelcorn; Georg Muffat; Johann Heinrich Schmelzer
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所有的著者/提供者: Charles E Brewer
ISBN: 9781859283967 1859283969 9781409419402 1409419401
OCLC号码: 640918105
描述: xxvi, 411 pages : illustrations ; 24 cm
内容: Stylus phantasticus and stylus hyporchematicus : concepts of instrumental music in late seventeenth-century Central and East-Central Europe --
Johann Heinrich Schmeltzer (c.1620/23-1680) and music at the Viennese court --
The chapel of Prince-Bishop Carl Liechtenstein-Castelcorn --
Biber and Muffat at Salzburg --
The dissemination and dissolution of the stylus phantasticus.
责任: Charles E. Brewer.
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摘要:

Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the  再读一些...

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'Brewer bases his exhaustive, scholarly and highly readable and illuminating analyses of the work of these three composers and their contemporaries on stylistic considerations.' Classical Net

 
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schema:description"Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed [Publisher description]."@en
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