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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/490451202 Title: INTERVENTION ET ROLE DE L'ETAT DANS LA VIE CINEMATOGRAPHIQUE FRANCAISE : COMPTE TENU DE SON RENOUVELLEMENT DEPUIS 1981 Author: JOAN-DEOK KIM; Daniel Serceau; Université Panthéon-Sorbonne (Paris) Publisher: [S.l.] : [s.n.], 1997. OCLC:490451202

  
  

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• Cinéma -- Censure -- France -- Thèses et écrits académiques.
• Cinéma -- Industrie -- France -- Thèses et écrits académiques.
• Cinéma -- Aspect économique -- France -- Thèses et écrits académiques.
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INTERVENTION ET ROLE DE L'ETAT DANS LA VIE CINEMATOGRAPHIQUE FRANCAISE : COMPTE TENU DE SON RENOUVELLEMENT DEPUIS 1981

Author:	JOAN-DEOK KIM; Daniel Serceau; Université Panthéon-Sorbonne (Paris).
Publisher:	[S.l.] : [s.n.], 1997.
Dissertation:	Thèse de doctorat : CINEMA : Paris 1 : 1997.
Edition/Format:	Thesis/dissertation : Thesis/dissertation : FrenchView all editions and formats
Summary:	DEPUIS L'ARRIVEE AU POUVOIR DU GOUVERNEMENT DE GAUCHE, EN 1981, LA POLITIQUE CINEMATOGRAPHIQUE MENEE PAR L'ETAT FRANCAIS CONNAIT DES EVOLUTIONS A LA FOIS MAJEURES ET FAVORABLES A L'ENSEMBLE DES DIFFERENTS SECTEURS DU CINEMA. SON ACTION A POURSUIVI UN TRIPLE OBJECTIF : LE RENFORCEMENT ET LE RENOUVELLEMENT DE LA PRODUCTION CINEMATOGRAPHIQUE, LE MAINTIEN DE LA FREQUENTATION EN SALLES ET LA CONSTRUCTION D'UNE INDUSTRIE NATIONALE DES PROGRAMMES DE CINEMA. LES ACTIONS LES PLUS SIGNIFICATIVES DE L'EVOLUTION DE LA POLITIQUE DE L'ETAT DANS SON SOUTIEN A L'INDUSTRIE CINEMATOGRAPHIQUE ONT ETE ENGAGEES AUTOUR DE SIX GRANDS AXES POURSUIVANT LES OBJECTIFS SUIVANTS : PRESERVER LA VITALITE DE LA PRODUCTION ET DYNAMISER LA CREATION, SAUVEGARDER LE PATRIMOINE ET EN DEVELOPPER LA CONNAISSANCE AUPRES DU PUBLIC, PERMETTRE A UNE CULTURE CINEMATOGRAPHIQUE DE QUALITE ET DIVERSIFIEE DE VIVRE PLEINEMENT EN ETANT DIFFUSEE SUR TOUT LE TERRITOIRE NATIONAL ET, ENFIN, INTENSIFIER LES ECHANGES INTERNATIONAUX EN OFFRANT AU CINEMA FRANCAIS LA POSSIBILITE D'ATTEINDRE UNE AUDIENCE EUROPEENNE ET MONDIALE. L'OBJET DE CETTE THESE EST DE DRESSER UN INVENTAIRE LE PLUS COMPLET POSSIBLE DES INTERVENTIONS DE L'ETAT FRANCAIS DANS LE DOMAINE DE LA CINEMATOGRAPHIE, AFIN D'EN DEGAGER LES POINTS FORTS, LES FAIBLESSES, D'EN ANALYSER LES INSUFFISANCES ET DE CHERCHER DES PISTES POSSIBLES POUR L'AVENIR. NOS TRAVAUX S'ORGANISENT EN TROIS GRANDES PARTIES : LA POLITIQUE DE L'ETAT EN MATIERE DE SOUTIEN FINANCIER, LES MODALITES DE CONTROLE ET LES ASPECTS INTERNATIONAUX. NOUS POUVONS AINSI VERIFIER L'EFFICACITE DU MODELE POLITIQUE FRANCAIS EN MATIERE CINEMATOGRAPHIQUE, CONSIDERE COMME UN DES MEILLEURS AU MONDE ET POSER LES BASES, A PARTIR DE CE MODELE, DE CE QUI POURRAIT ETRE UNE POLITIQUE DU CINEMA NOVATRICE DANS D'AUTRES PAYS, EN PARTICULIER EN COREE, PAYS D'OU NOUS VENONS ET OU NOUS SOUHAITONS JOUER UN ROLE POUR LE DEVELOPPEMENT DE LA CREATION ET DE LA DIFFUSION CINEMATOGRAPHIQUE. FROM ARRIVAL OF THE SOCIALISTS IN FRANCH GOVERNMENT IN 1981, CINEMATOGRAPHIC POLITICS LEAD BY GOVERNMENT HAVE, ALL AT ONCE, AN IMPORTANT AND FAVORITE EVOLUTION IN EVERY DIFFERENT SECTIONS OF CINEMA. THERE ARE THREE MAJOR OBJECTS IN IT'S POLITICS; REINFORCEMENT AND RENOVATION IN CINEMATOGRAPHIC PRODUCTION, MAINTAINNING THE FREQUENTATION IN THE MOVIE THEATER AND CONSTRUCTION OF NATIONAL MOVIE PROGRAMS. THE VERY IMPORTANT NATIONAL MEASURE ABOUT EVOLUTION OF POLITICS ON HELPING CINEMATOGRAPHIC INDUSTRIES ARE DIRECTED IN ABOUT SIX MAJOR AXIS ACCORDING TO OBJECTS LIKE THESE; PRESERVING PRODUCTION VITALITY AND CONCENTRATING THE CREATION, PROTECTION INHERITANCE AND DEVELOPING IT'S CONCIOUSNESS AROUND PEOPLE, PERMITTING QUALIFIED AND DIVERSIFIED CINEMATOGRAPHIC CULTURE OF FULL LIFE BY DIFFUSING IT IN THE WHOLE NATIONAL TERRITORIES, FINALLY INTENSIFING INTERNATIONAL EXCHANGE BY OFFERING FRENCH CINEMA OF OPPORTUNITIES TO REACH TO EUROPEAN AND WORLD-WIDE AUDIENCES. THE AIM OF THIS PAPER IS TO SET UP THE EVALUATION OF FRENCH GOVERNMENT AS COMPLETELY AS POSSIBLE IN CINEMATOGRAPHIC DOMAIN, IN ORDER TO DISENGAGE THE HOT ISSUE AND FAINTNESS, TO ANALYSIS INSUFFICIENCY AND TO SEARCH POSSIBLE WAY FOR THE FUTURE. OUR WORK IS TO BECOME ORGANISED IN THREE MAJOR PARTS; GOVERNMENT POLITICS FOR FINANCIAL SUPPORT, CONTROL METHOD AND INTERNATIONAL ASPECTS. IN THIS MANNER, WE CAN VERIFY EFFICIENCY OF FRENCH POLITICAL MODEL TOWARD CINEMATOGRAPHIC WORLD, THAT IS CONSIDERED AS ONE OF THE BEST POLITICS IN THE WORLD AND FROM THAT MODEL ONE CAN HAVE A BASE FOR INNOVATING CINEMA POLITICS IN FOREGINE COUNTRIES ESPECIALLY IN KOREA FROM WHICH WE HAVE COME AND WHERE WE WISH TO PLAY A ROLE FOR DEVELOPMENT AND FOR DIFFUSION OF CINEMATOGRAPHY.  Read more...
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