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Interview with Alwin Nikolais, 1976. 線上預覽
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Interview with Alwin Nikolais, 1976.

作者: Alwin Nikolais; John Gruen
出版商: 1976.
版本/格式:   有聲書   電腦檔案 : 英語
提要:
Streaming audio file (approximately one hour and one minute). [Begins abruptly with end of introductory remarks by Oscar Buhler.] John Gruen, as host, introduces Alwin Nikolais and his work; Alwin Nikolais and Gruen speak about his concern with the visual aspects of dance including the use of light and color; Nikolais' work Scenario [a recording of an excerpt of the sound score created by Nikolais for his work Triad  再讀一些...
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詳細書目

類型/形式: Interviews
Radio programs
Sound recordings
提及的人: Alwin Nikolais; Alwin Nikolais
資料類型: 有聲書,等, 網際網路資源
文件類型 聲音記錄, 電腦檔案, 網際網路資源
所有的作者/貢獻者: Alwin Nikolais; John Gruen
OCLC系統控制編碼: 82814220
註釋: Interview with Alvin NIkolais conducted by John Gruen, as host, for broadcast on July 12, 1976 by radio station WNCN-FM, New York on its series The sound of dance.
Title supplied by cataloger.
Sound quality is good overall. There is some distortion, but the speakers' voices are easily intelligible.
活動注釋: Recorded by WNCN-FM, New York
1976, July 12
New York (N.Y.).
描述: 1 streaming audio file (approximately 1 hr. and 1 min.) : digital
其他題名: Sound of dance (Radio program)

摘要:

Streaming audio file (approximately one hour and one minute). [Begins abruptly with end of introductory remarks by Oscar Buhler.] John Gruen, as host, introduces Alwin Nikolais and his work; Alwin Nikolais and Gruen speak about his concern with the visual aspects of dance including the use of light and color; Nikolais' work Scenario [a recording of an excerpt of the sound score created by Nikolais for his work Triad is played]; Nikolais speaks about Triad; his work Styx; his creative process, including his use of slides to design the choreography and the lighting; the sound; touring with his company [Nikolais Dance Theatre]; [a recording of an additional excerpt from the sound score for Triad is played]; Nikolais speaks about how he creates the sound scores for his works including his use of objects, synthesizers, and ethnic instruments; the reason he does not use more conventional instruments; his start in music and how he came to have a career in dance; his evaluation of critics who have written about his work; the financial hardship of performing in New York City [a recording of an additional excerpt from the sound score for Triad is played]; Nikolais speaks about his work Tribe including its length; the influence of Asian art on his work; his new work-in-progress [Arporisms], in honor of Jean Arp; Gruen's closing remarks [Oscar Buhler's closing remarks; ends abruptly].

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連結資料


Primary Entity

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