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Interview with Betty Corwin

著者: Alan J PallyJacqueline Z DavisBetty L CorwinHarriet SlaughterLeague of Professional Theatre Women.すべての著者
出版: New York, ©2006.
エディション/フォーマット:   DVD : English
データベース:WorldCat
概要:
Betty L. Corwin, founding director of the Theatre on Film and Tape Archive, a repository of theatrical videorecordings which is part of the Billy Rose Theatre Collection, discusses the history of the archive, which is located at the New York Public Library for the Performing Arts. Topics covered include the union negotiations which made the tapings possible, the rising costs involved in videotaping stage  続きを読む
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ジャンル/形式: Interviews
関連の人物: Betty L Corwin
資料の種類: Videorecording
ドキュメントの種類: 視覚資料
すべての著者/寄与者: Alan J Pally; Jacqueline Z Davis; Betty L Corwin; Harriet Slaughter; League of Professional Theatre Women.; New York Public Library for the Performing Arts.; Character Generators/Video.; New York Public Library, Billy Rose Theatre Collection, Theatre on Film and Tape Archive.
OCLC No.: 154723986
注記: Copy of program available.
パフォーマー Introductory remarks: Jacqueline Z. Davis.
Interviewed by Harriet Slaughter.
注記: Videotaped by The New York Public Library's Theatre on Film and Tape Archive in the Bruno Walter Auditorium, New York Public Library for the Performing Arts, New York, N.Y., Oct. 26, 2006.
物理形態: 1 videodisc (61 min.) : sd., col. ; 4 3/4 in. (DVD)
その他のタイトル: Betty Corwin interviewed by Harriet Slaughter
責任者: Sponsored by The League of Professional Theatre Women ; event producer, Alan Pally ; presented by The New York Public Library for the Performing Arts ; [video prod. company] Character Generators, Inc. ; [video producer] Theatre on Film and Tape Archive, Patrick Hoffman, director.

概要:

Betty L. Corwin, founding director of the Theatre on Film and Tape Archive, a repository of theatrical videorecordings which is part of the Billy Rose Theatre Collection, discusses the history of the archive, which is located at the New York Public Library for the Performing Arts. Topics covered include the union negotiations which made the tapings possible, the rising costs involved in videotaping stage performances since the archive began in 1970, funding efforts, and anecdotes about memorable tapings and personalities.

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