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Interview with Hanya Holm

Auteur : Hanya Holm; Marcia B Siegel
Éditeur : 1973.
Édition/format :   Livre audio sur cassette : Enregistrement sur cassette : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Side A, ca. 45 min. [Begins abruptly.] Hanya Holm speaks about how she came to study with Mary [Wigman]; the cooperative relationship between Wigman and her students; [Rudolf von] Laban's focus on theory rather than experience; dance as an expression of the inner life; whether modern dance today contains this essence; the relationship of physical movement to the expression of emotion; the technique taught by Wigman;
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Détails

Genre/forme : History
Personne nommée : Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman
Type d’ouvrage : Livre audio, etc.
Format : Enregistrement sonore
Tous les auteurs / collaborateurs : Hanya Holm; Marcia B Siegel
Numéro OCLC : 54894796
Notes : Interview with Hanya Holm conducted by Marcia B. Siegel on Oct. 6, 1973, probably in New York City.
Description : 1 sound cassette (ca. 90 min.)

Résumé :

Side A, ca. 45 min. [Begins abruptly.] Hanya Holm speaks about how she came to study with Mary [Wigman]; the cooperative relationship between Wigman and her students; [Rudolf von] Laban's focus on theory rather than experience; dance as an expression of the inner life; whether modern dance today contains this essence; the relationship of physical movement to the expression of emotion; the technique taught by Wigman; her teaching methods; more on the cooperative relationship between Wigman, Holm, and Wigman's other students; Wigman as a person; their lifelong friendship; Wigman's funeral; the rich cultural life in Dresden; distinguishing between moving and dancing; Holm's dislike of literalness [ends abruptly].

Side B, ca. 45 min. [Begins abruptly.] Holm speaks about coming to the United States in 1931 to teach Wigman's technique; Holm's public distancing of herself from political issues in the United States and in Germany; Wigman's relationship with the Nazi government, including being labeled a degenerate artist [short gap]; Wigman's influence on her thinking; more on Wigman as a person and their relationship; the lack of films of Wigman's work; early audience and critical responses to Wigman's work; difficulty in achieving acceptance of Holm's own company in the United States; Holm's view that Wigman was a ground-breaking artist.

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Données liées


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