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Interview with Hanya Holm

著者: Hanya Holm; Marcia B Siegel
出版: 1973.
エディション/フォーマット:   オーディオブック(カセットテープ) : Cassette recording : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Side A, ca. 45 min. [Begins abruptly.] Hanya Holm speaks about how she came to study with Mary [Wigman]; the cooperative relationship between Wigman and her students; [Rudolf von] Laban's focus on theory rather than experience; dance as an expression of the inner life; whether modern dance today contains this essence; the relationship of physical movement to the expression of emotion; the technique taught by Wigman;
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ジャンル/形式: History
関連の人物: Hanya Holm; Mary Wigman; Hanya Holm; Mary Wigman
資料の種類: オーディオブック(その他)
ドキュメントの種類: 録音
すべての著者/寄与者: Hanya Holm; Marcia B Siegel
OCLC No.: 54894796
注記: Interview with Hanya Holm conducted by Marcia B. Siegel on Oct. 6, 1973, probably in New York City.
物理形態: 1 sound cassette (ca. 90 min.)

概要:

Side A, ca. 45 min. [Begins abruptly.] Hanya Holm speaks about how she came to study with Mary [Wigman]; the cooperative relationship between Wigman and her students; [Rudolf von] Laban's focus on theory rather than experience; dance as an expression of the inner life; whether modern dance today contains this essence; the relationship of physical movement to the expression of emotion; the technique taught by Wigman; her teaching methods; more on the cooperative relationship between Wigman, Holm, and Wigman's other students; Wigman as a person; their lifelong friendship; Wigman's funeral; the rich cultural life in Dresden; distinguishing between moving and dancing; Holm's dislike of literalness [ends abruptly].

Side B, ca. 45 min. [Begins abruptly.] Holm speaks about coming to the United States in 1931 to teach Wigman's technique; Holm's public distancing of herself from political issues in the United States and in Germany; Wigman's relationship with the Nazi government, including being labeled a degenerate artist [short gap]; Wigman's influence on her thinking; more on Wigman as a person and their relationship; the lack of films of Wigman's work; early audience and critical responses to Wigman's work; difficulty in achieving acceptance of Holm's own company in the United States; Holm's view that Wigman was a ground-breaking artist.

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Primary Entity

<http://www.worldcat.org/oclc/54894796> # Interview with Hanya Holm
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   library:oclcnum "54894796" ;
   library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
   schema:about <http://id.worldcat.org/fast/1210272> ; # Germany.
   schema:about <http://id.worldcat.org/fast/1024421> ; # Modern dance
   schema:about <http://viaf.org/viaf/32015522> ; # Mary Wigman
   schema:about <http://viaf.org/viaf/92244416> ; # Hanya Holm
   schema:about <http://experiment.worldcat.org/entity/work/data/64655692#Topic/dance_teachers_germany> ; # Dance teachers--Germany
   schema:about <http://experiment.worldcat.org/entity/work/data/64655692#Person/wigman_mary_1886_1973> ; # Mary Wigman
   schema:about <http://experiment.worldcat.org/entity/work/data/64655692#Topic/modern_dance_germany_history> ; # Modern dance--Germany--History
   schema:about <http://id.worldcat.org/fast/887567> ; # Dance teachers
   schema:about <http://experiment.worldcat.org/entity/work/data/64655692#Person/holm_hanya_1893_1992> ; # Hanya Holm
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   schema:contributor <http://viaf.org/viaf/79145425> ; # Marcia B. Siegel
   schema:creator <http://viaf.org/viaf/92244416> ; # Hanya Holm
   schema:datePublished "1973" ;
   schema:description "Side B, ca. 45 min. [Begins abruptly.] Holm speaks about coming to the United States in 1931 to teach Wigman's technique; Holm's public distancing of herself from political issues in the United States and in Germany; Wigman's relationship with the Nazi government, including being labeled a degenerate artist [short gap]; Wigman's influence on her thinking; more on Wigman as a person and their relationship; the lack of films of Wigman's work; early audience and critical responses to Wigman's work; difficulty in achieving acceptance of Holm's own company in the United States; Holm's view that Wigman was a ground-breaking artist." ;
   schema:description "Side A, ca. 45 min. [Begins abruptly.] Hanya Holm speaks about how she came to study with Mary [Wigman]; the cooperative relationship between Wigman and her students; [Rudolf von] Laban's focus on theory rather than experience; dance as an expression of the inner life; whether modern dance today contains this essence; the relationship of physical movement to the expression of emotion; the technique taught by Wigman; her teaching methods; more on the cooperative relationship between Wigman, Holm, and Wigman's other students; Wigman as a person; their lifelong friendship; Wigman's funeral; the rich cultural life in Dresden; distinguishing between moving and dancing; Holm's dislike of literalness [ends abruptly]." ;
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