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[Interviews with André Bishop, Jules Feiffer, and Al Hirschfeld]

Auteur: André Bishop; Jules Feiffer; Al Hirschfeld; Edwin Wilson; City University of New York.
Uitgever: New York, 1992.
Serie: CUNY Spotlight
Editie/Formaat:   VHS-video : VHS-band   Visueel materiaal : Engels
Database:WorldCat
Samenvatting:
Four separate interviews, one each with André Bishop and Jules Feiffer, and two with Al Hirschfeld (ca. 28 min. each).
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Details

Genre/Vorm: Interviews
Film adaptations
Sources
Pictorial works
Caricatures and cartoons
Genoemd persoon: André Bishop; Jules Feiffer; Jules Feiffer; Jules Feiffer; Alan Arkin; Jules Feiffer; Jules Feiffer; Mike Nichols; Al Hirschfeld; Al Hirschfeld; Frank Loesser; Joseph Kesselring; Eugène Ionesco; Howard Sackler; Charles Dickens; August Wilson; Rudolf Besier; Tennessee Williams; Tennessee Williams
Genre: Video-opname
Soort document: Visueel materiaal
Alle auteurs / medewerkers: André Bishop; Jules Feiffer; Al Hirschfeld; Edwin Wilson; City University of New York.
OCLC-nummer: 51921439
Opmerkingen: Part of the series, CUNY Spotlight, broadcast on CUNY-TV, sponsored by the City University of New York.
Uitvoerende artiest(en): Interviewed by Edwin Wilson.
Colofon: Videotaped by the cable station, CUNY-TV, New York, N.Y., 1992.
Beschrijving: 1 videocassette (VHS) (112 min.) : sd., col. ; 1/2 in.
Serietitel: CUNY Spotlight
Verantwoordelijkheid: City University Television in association with the Center for Advanced Study in Theatre Arts [presents].

Fragment:

Four separate interviews, one each with André Bishop and Jules Feiffer, and two with Al Hirschfeld (ca. 28 min. each).

André Bishop talks about his career at Playwrights Horizons from volunteer to literary manager to artistic director, the organization's mission as a home for new playwrights to have their work produced, his feelings about reading and judging a play, how a production makes a great difference, his move to Lincoln Center Theater and his plans for that organization.

Jules Feiffer talks about being a cartoonist, both successful and political, his first play, Little murders, initially a flop but revived successfully at American Place Theatre by director Alan Arkin, the failure of his next play God blues, his play Carnal knowledge and his screen adaptation of it for director Mike Nichols, the ease of writing for regional theater with little financial and critical pressure, and the successful productions of Carnal knowledge in regional theaters.

Al Hirshfeld tells how he began doing theater drawings for the New York Times, how he uses "pure line" and tries for likeness and a sense of the play, and his drawings of the musical Guys and dolls, comparing the original 1950 production with the 1992 revival. Includes Mr. Hirshfeld's drawings of Arsenic and old lace, Rhinoceros, Great white hope, Nicholas Nickleby, Fences, The Barretts of Wimpole Street, The glass menagerie, A streetcar named Desire, Death of a salesman, Oklahoma, and the Ziegfeld follies. Mr. Hirshfeld also discusses his wife Dolly Haas, the history of "Nina" in his drawings, comments on other drawings which he shows, and the influenced of Eastern art on his work.

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Gekoppelde data


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