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[Interviews with André Bishop, Jules Feiffer, and Al Hirschfeld]

作者: André Bishop; Jules Feiffer; Al Hirschfeld; Edwin Wilson; City University of New York.
出版商: New York, 1992.
叢書: CUNY Spotlight
版本/格式:   VHS影像 : VHS錄影帶   影像資料 : 英語
資料庫:WorldCat
提要:
Four separate interviews, one each with André Bishop and Jules Feiffer, and two with Al Hirschfeld (ca. 28 min. each).
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詳細書目

類型/形式: Interviews
Film adaptations
Sources
Pictorial works
Caricatures and cartoons
提及的人: André Bishop; Jules Feiffer; Jules Feiffer; Jules Feiffer; Alan Arkin; Jules Feiffer; Jules Feiffer; Mike Nichols; Al Hirschfeld; Al Hirschfeld; Frank Loesser; Joseph Kesselring; Eugène Ionesco; Howard Sackler; Charles Dickens; August Wilson; Rudolf Besier; Tennessee Williams; Tennessee Williams
資料類型: 錄影
文件類型 影像資料
所有的作者/貢獻者: André Bishop; Jules Feiffer; Al Hirschfeld; Edwin Wilson; City University of New York.
OCLC系統控制編碼: 51921439
註釋: Part of the series, CUNY Spotlight, broadcast on CUNY-TV, sponsored by the City University of New York.
表演者: Interviewed by Edwin Wilson.
活動注釋: Videotaped by the cable station, CUNY-TV, New York, N.Y., 1992.
描述: 1 videocassette (VHS) (112 min.) : sound, color ; 1/2 in.
叢書名: CUNY Spotlight
責任: City University Television in association with the Center for Advanced Study in Theatre Arts [presents].

摘要:

Four separate interviews, one each with André Bishop and Jules Feiffer, and two with Al Hirschfeld (ca. 28 min. each).

André Bishop talks about his career at Playwrights Horizons from volunteer to literary manager to artistic director, the organization's mission as a home for new playwrights to have their work produced, his feelings about reading and judging a play, how a production makes a great difference, his move to Lincoln Center Theater and his plans for that organization.

Jules Feiffer talks about being a cartoonist, both successful and political, his first play, Little murders, initially a flop but revived successfully at American Place Theatre by director Alan Arkin, the failure of his next play God blues, his play Carnal knowledge and his screen adaptation of it for director Mike Nichols, the ease of writing for regional theater with little financial and critical pressure, and the successful productions of Carnal knowledge in regional theaters.

Al Hirshfeld tells how he began doing theater drawings for the New York Times, how he uses "pure line" and tries for likeness and a sense of the play, and his drawings of the musical Guys and dolls, comparing the original 1950 production with the 1992 revival. Includes Mr. Hirshfeld's drawings of Arsenic and old lace, Rhinoceros, Great white hope, Nicholas Nickleby, Fences, The Barretts of Wimpole Street, The glass menagerie, A streetcar named Desire, Death of a salesman, Oklahoma, and the Ziegfeld follies. Mr. Hirshfeld also discusses his wife Dolly Haas, the history of "Nina" in his drawings, comments on other drawings which he shows, and the influenced of Eastern art on his work.

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