跳到内容
Inventing Bergson : cultural politics and the Parisian avant-garde 预览资料
关闭预览资料

Inventing Bergson : cultural politics and the Parisian avant-garde

著者： Mark Antliff
出版商： Princeton, N.J. : Princeton University Press, ©1993.
版本/格式：  图书 : 英语查看所有的版本和格式
提要：
At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political  再读一些...
评估：

(尚未评估) 0 附有评论 - 争取成为第一个。

主题
更多类似这样的

 

在图书馆查找

&AllPage.SpinnerRetrieving; 正在查找有这资料的图书馆...

详细书目

提及的人： Henri Bergson; Henri Bergson; Henri Bergson; Henri Bergson
材料类型： 互联网资源
文件类型： 书, 互联网资源
所有的著者/提供者： Mark Antliff
ISBN: 0691032025 9780691032023
OCLC号码： 25676367
注意： Based on the author's doctoral dissertation.
描述： xii, 237 p., [8] p. of plates : ill. (some col.) ; 25 cm.
内容： Cubism, classicism, and the body politic --
Du Cubisme, between Bergson and Nietzsche --
Rhythmists, Cubists, and the politics of gender --
The body of the nation : Cubism's Celtic nationalism --
From Bergson to Bonnot : Bergsonian anarchism, Futurism, and the Action d'art group --
The politics of time and modernity.
责任： Mark Antliff.
更多信息：

摘要：

At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political discourse. By interrelating such movements as Futurism, Cubism, and Fauvism, he elucidates the pervasive impact of Bergson on modernism in Europe, especially in terms of theories of organic form. Antliff defines the anarcho-individualism of Gino Severini as it relates to the anarcho-syndicalism of other Futurists, and contrasts both to the Puteaux Cubists, who embraced a leftist discourse of celtic nationalism. All these groups, including the "Rhythmists," an international group of Fauve painters, defined their Bergsonism in reaction to the campaign against Bergson launched by the royalist organization L'Action Francaise. Antliff shows that tbe organicism central to the Bergsonism of these leftist groups had a postwar legacy in fascist ideologies in France and italy, and charts the transformation of an anticapitalist critique into the politics of reaction. Thus Antliff relates the Bergsonism of these movements to the larger political culture confronted by the Parisian avant-garde, exposing the volatile relation of art and culture to ideology in prewar France.

评论

用户提供的评论

标签

争取是第一个！
确认申请

你可能已经申请过这份资料。如果还是想申请，请选确认。

链接数据


<http://www.worldcat.org/oclc/25676367>
library:oclcnum"25676367"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/25676367>
rdf:typeschema:Book
rdfs:seeAlso
rdfs:seeAlso
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Intangible
schema:name"Art et politique--France"
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
rdf:typeschema:Person
schema:name"Bergson, Henri, 1859-1941"
schema:author
schema:copyrightYear"1993"
schema:datePublished"1993"
schema:description"At the turn of the century the philosophy of Henri Bergson captivated France, and Bergson's theories of intuition and elan vital influenced artistic and political notions of the supreme individual, the collective consciousness of a class or race, and the esprit of the nation itself. Here Mark Antliff demonstrates how various artists in prewar France positioned themselves and their art in this plurality of political discourse. By interrelating such movements as Futurism, Cubism, and Fauvism, he elucidates the pervasive impact of Bergson on modernism in Europe, especially in terms of theories of organic form. Antliff defines the anarcho-individualism of Gino Severini as it relates to the anarcho-syndicalism of other Futurists, and contrasts both to the Puteaux Cubists, who embraced a leftist discourse of celtic nationalism. All these groups, including the "Rhythmists," an international group of Fauve painters, defined their Bergsonism in reaction to the campaign against Bergson launched by the royalist organization L'Action Francaise. Antliff shows that tbe organicism central to the Bergsonism of these leftist groups had a postwar legacy in fascist ideologies in France and italy, and charts the transformation of an anticapitalist critique into the politics of reaction. Thus Antliff relates the Bergsonism of these movements to the larger political culture confronted by the Parisian avant-garde, exposing the volatile relation of art and culture to ideology in prewar France."
schema:description"Cubism, classicism, and the body politic -- Du Cubisme, between Bergson and Nietzsche -- Rhythmists, Cubists, and the politics of gender -- The body of the nation : Cubism's Celtic nationalism -- From Bergson to Bonnot : Bergsonian anarchism, Futurism, and the Action d'art group -- The politics of time and modernity."
schema:inLanguage"en"
schema:name"Inventing Bergson : cultural politics and the Parisian avant-garde"
schema:numberOfPages"237"
schema:publisher
rdf:typeschema:Organization
schema:name"Princeton University Press"
关闭窗口

请登入WorldCat 

没有张号吗？很容易就可以 建立免费的账号.

删除 忘了密码吗？