跳至内容
Inventing the Louvre : art, politics, and the origins of the modern museum in eighteenth-century Paris 線上預覽
關閉線上預覽
正在查...

Inventing the Louvre : art, politics, and the origins of the modern museum in eighteenth-century Paris

作者: Andrew McClellan
出版商: Cambridge [England] ; New York : Cambridge University Press, 1994.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
Containing the greatest collection of Old Master paintings and antique sculpture ever assembled under one roof, the Louvre, founded in the final years of the Enlightenment, became the model for all state art museums subsequently established. This book chronicles the formation of this great museum, from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire.
評定級別:

(尚未評分) 0 附有評論 - 成爲第一個。

主題
更多類似這樣的

 

在線上查詢

與資料的連結

在圖書館查詢

&AllPage.SpinnerRetrieving; 正在查詢有此資料的圖書館...

詳細書目

類型/形式: History
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Andrew McClellan
ISBN: 0521450659 9780521450652
OCLC系統控制編碼: 28016597
描述: xiii, 289 pages : illustrations ; 26 cm
内容: 1. The Luxembourg Gallery, 1750-79 --
2. D'Angiviller's Louvre Project --
3. The Revolutionary Louvre --
4. The Musee Central des Arts --
5. Alexandre Lenoir and the Museum of French Monuments --
Appendix I Arrangement of Paintings in the Luxembourg Gallery, 1750 --
Appendix II D'Angiviller's Grands Hommes of France, by Salon --
Appendix III Partial Reconstruction of the Hanging Scheme at the Musee Central des Arts in 1797-8.
責任: Andrew McClellan.
更多資訊:

摘要:

Containing the greatest collection of Old Master paintings and antique sculpture ever assembled under one roof, the Louvre, founded in the final years of the Enlightenment, became the model for all state art museums subsequently established. This book chronicles the formation of this great museum, from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire.

More than a narrative history, Andrew McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre, as well as its contemporary, the Museum of French Monuments, which in complementary ways laid the foundation for the modern museum. Here, central and abiding questions of museum practice - arrangement of art works, lighting, restoration and conservation, public education and service to the state - were first defined and given visual expression.

. Drawing on much new archival material, this book also casts new light on the art world of eighteenth century Paris and its most colorful characters, from Roger de Piles and La Font de Saint-Yenne to Jacques-Louis David and Alexandre Lenoir.

評論

讀者提供的評論
正在擷取GoodReads評論...
正在擷取DOGObooks的評論

標籤

成爲第一個
確認申請

你可能已經申請過這份資料。若還是想申請,請選確認。

連結資料


<http://www.worldcat.org/oclc/28016597>
library:oclcnum"28016597"
library:placeOfPublication
library:placeOfPublication
library:placeOfPublication
rdf:typeschema:Book
rdf:typeschema:MediaObject
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1994"
schema:description"1. The Luxembourg Gallery, 1750-79 -- 2. D'Angiviller's Louvre Project -- 3. The Revolutionary Louvre -- 4. The Musee Central des Arts -- 5. Alexandre Lenoir and the Museum of French Monuments -- Appendix I Arrangement of Paintings in the Luxembourg Gallery, 1750 -- Appendix II D'Angiviller's Grands Hommes of France, by Salon -- Appendix III Partial Reconstruction of the Hanging Scheme at the Musee Central des Arts in 1797-8."@en
schema:description"More than a narrative history, Andrew McClellan's account explores the ideological underpinnings, pedagogic aims, and aesthetic criteria of the Louvre, as well as its contemporary, the Museum of French Monuments, which in complementary ways laid the foundation for the modern museum. Here, central and abiding questions of museum practice - arrangement of art works, lighting, restoration and conservation, public education and service to the state - were first defined and given visual expression."@en
schema:description"Containing the greatest collection of Old Master paintings and antique sculpture ever assembled under one roof, the Louvre, founded in the final years of the Enlightenment, became the model for all state art museums subsequently established. This book chronicles the formation of this great museum, from its origins in the French royal picture collections to its apotheosis during the Revolution and Napoleonic Empire."@en
schema:description". Drawing on much new archival material, this book also casts new light on the art world of eighteenth century Paris and its most colorful characters, from Roger de Piles and La Font de Saint-Yenne to Jacques-Louis David and Alexandre Lenoir."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/343404>
schema:genre"History"@en
schema:inLanguage"en"
schema:name"Inventing the Louvre : art, politics, and the origins of the modern museum in eighteenth-century Paris"@en
schema:publication
schema:publisher
schema:workExample
umbel:isLike<http://bnb.data.bl.uk/id/resource/GB9433805>
wdrs:describedby

Content-negotiable representations

關閉視窗

請登入WorldCat 

没有帳號嗎?你可很容易的 建立免費的帳號.