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Iran, veiled appearances

Author: Thierry MichelChristine PireauxSerge LalouFilms de la passerelle (Firm)Films d'ici (Firm)All authors
Publisher: Brooklyn, NY : First Run/Icarus Films, [2003]
Edition/Format:   DVD video : EnglishView all editions and formats
Summary:
Depicts contemporary Iran at a turning point in its history, exposing both an extreme fundamentalism being fostered by its leadership and the seeds of change in its youth culture. The film looks equally at those convinced of a radical Islam and at those who aspire to more freedom. The Iranians, having confirmed their desire for change during the presidential elections, have been conned of their meagre conquests by  Read more...
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Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Thierry Michel; Christine Pireaux; Serge Lalou; Films de la passerelle (Firm); Films d'ici (Firm); Radiotelevisione italiana. Terza rete.; Radio-Télévision belge de la communauté culturelle française.; Vlaamse Radio en Televisieomroep.; ARTE France.; Centre de l'audiovisuel à Bruxelles.; Sveriges television.; Yleisradio Oy.; First Run/Icarus Films.
OCLC Number: 123948151
Language Note: In English and Persian, with English subtitles.
Notes: Originally produced as a documentary film in 2002.
Credits: Directors of photography, Farsin Khosrowshahi, Symka Pacanowski ; editor, Marine Deleu.
Description: 1 videodisc (59 min.) : sound, color ; 4 3/4 in.
Details: DVD-R; this disc is a recorded DVD and may not play on all DVD players or drives; widescreen presentation; stereo.
Responsibility: Les Films de la Passerelle, Les Films d'Ici ; in coproduction with RAITRE, RTBF-Belgian Television, VRT, ARTE France, the Brussels Audiovisual Centre (CBA) ; in collaboration with SVT, YLE ; written and directed by Thierry Michel ; producers ... Christine Pireaux ... Serge Lalou.

Abstract:

Depicts contemporary Iran at a turning point in its history, exposing both an extreme fundamentalism being fostered by its leadership and the seeds of change in its youth culture. The film looks equally at those convinced of a radical Islam and at those who aspire to more freedom. The Iranians, having confirmed their desire for change during the presidential elections, have been conned of their meagre conquests by the power of the most conservative Islamic fundamentalists. It is they who have firm control of the army, the courts and the media and who haven't hesitated to resort to political assassination to shut off any freedom of speech.

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