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Ireland's art, Ireland's history : representing Ireland, 1845 to present Titelvorschau
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Ireland's art, Ireland's history : representing Ireland, 1845 to present

Verfasser/in: Síghle Bhreathnach-Lynch
Verlag: Omaha, NE : Creighton University Press, 2007.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
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A study of Irish pictures and sculpture that opens up the subject by providing a interdisciplinary approach. It covers diverse topics such as the representation of the Irish peasant, the  Weiterlesen…

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Gattung/Form: History
Physisches Format Online version:
Bhreathnach-Lynch, Síghle.
Ireland's art, Ireland's history.
Omaha, NE : Creighton University Press, 2007
(OCoLC)608591583
Dokumenttyp: Buch
Alle Autoren: Síghle Bhreathnach-Lynch
ISBN: 9781881871514 1881871517
OCLC-Nummer: 182529041
Beschreibung: 290 pages, [16] pages of plates : illustrations (some color) ; 26 cm
Inhalt: Irish art/Irish history : representing Ireland's identities --
A National Gallery for Ireland : issues of ideological significance --
Imaging the past : the marriage of Strongbow and Aoife : reconstruction and reality --
Framing the Irish : Victorian paintings of the Irish peasant --
Painting the West : the role of landscape in Irish identity --
Landscape, space, and gender : their role in the construction of female identity in newly independent Ireland --
The Church and the artist 1922-45 --
The Academy of Christian Art (1929-46) : an aspect of Catholic cultural life in newly independent Ireland --
Framing Ireland's history : art, politics, and representation 1914-29 --
"Executed" : the political commissions of Albert G. Power (1881-1945) --
Public monuments in Ireland (1840-1949) : barometers of political change --
Commemorating whose dead? : a study of two Irish gardens of remembrance --
Jack B. Yeats : "A pure and a mature expression of Irish nationalism in art" --
Revisionism, The Rising, and representation.
Verfasserangabe: Síghle Bhreathnach-Lynch.

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Relates the story of Ireland and the Irish people from the mid-1800s on by placing their art in historical and cultural context. -Bookweek

 
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