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Isabella Stewart Gardner Museum : Collective vision

Author: Films for the Humanities & Sciences (Firm); Great Museums (Firm)
Publisher: Princeton, NJ : Films for the Humanities & Sciences, 2005.
Edition/Format:   DVD video : EnglishView all editions and formats
Database:WorldCat
Summary:
"A patron with exquisite taste and a zest for life, Isabella Stewart Gardner traveled the globe for over three decades, assembling piece by piece one of the world's most remarkable art collections. Her interests ranged from Rembrandt, Titian, Sargent, Whistler, and Matisse to architectural antiquities, medieval stained glass windows, tapestries, painted leather "wallpaper" and rare books. In 1903, the "palace" she  Read more...
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Details

Named Person: Isabella Stewart Gardner; Isabella Stewart Gardner
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Films for the Humanities & Sciences (Firm); Great Museums (Firm)
OCLC Number: 66260464
Notes: Title from disc surface.
Originally produced for the television program Great museums in 2003.
Event notes: Shot on location at the Isabella Stewart Gardner Museum, Boston, Massachusetts.
Description: 1 videodisc (approximately 30 min.) : sound, color & black and white ; 4 3/4 in.
Details: DVD.
Other Titles: Collective vision
Great museums (Television program)
Responsibility: Films for the Humanitites & Sciences.

Abstract:

"A patron with exquisite taste and a zest for life, Isabella Stewart Gardner traveled the globe for over three decades, assembling piece by piece one of the world's most remarkable art collections. Her interests ranged from Rembrandt, Titian, Sargent, Whistler, and Matisse to architectural antiquities, medieval stained glass windows, tapestries, painted leather "wallpaper" and rare books. In 1903, the "palace" she built as a museum to house her collection was opened to the public. She personally directed the installation of the entire collection. It remains on permanent display exactly as she willed it, creating complex conservation challenges. Though she died in 1924, her vision that art should be a transforming experience is still the guiding principle of the museum."--Www.greatmuseums.org.

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