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Italian paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art 資料のプレビュー
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Italian paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art

著者: Carl Brandon Strehlke; Philadelphia Museum of Art.; John G. Johnson Collection (Philadelphia, Pa.)
出版: Philadelphia : Philadelphia Museum of Art : In Association with the Pennsylvania State University Press, ©2004.
エディション/フォーマット:   書籍 : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"When the Philadelphia lawyer John G. Johnson began to collect art in the late nineteenth century, he made Italian paintings from the early Renaissance a specialty. Eventually Johnson bequeathed his distinguished collection to the City of Philadelphia, and it is now housed at the Philadelphia Museum of Art.".
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ジャンル/形式: Catalogs
Catalogues
関連の人物: John Graver Johnson
ドキュメントの種類: 図書
すべての著者/寄与者: Carl Brandon Strehlke; Philadelphia Museum of Art.; John G. Johnson Collection (Philadelphia, Pa.)
ISBN: 0876331835 9780876331835 0876331843 9780876331842 0271025379 9780271025377 8874391897 9788874391899
OCLC No.: 55286330
注記: Museum catalog.
物理形態: xi, 556 p. : ill. (some col.), ports. ; 32 cm.
責任者: Carl Brandon Strehlke.

概要:

"When the Philadelphia lawyer John G. Johnson began to collect art in the late nineteenth century, he made Italian paintings from the early Renaissance a specialty. Eventually Johnson bequeathed his distinguished collection to the City of Philadelphia, and it is now housed at the Philadelphia Museum of Art.".

"Although there have been several catalogues of these paintings, including one by Bernhard Berenson in 1913, Carl Brandon Strehlke, Adjunct Curator of the Johnson Collection, has prepared the first complete scholarly examination. His discussion of such art historical questions as attribution, iconography, and patronage is complemented by the technical study of the paintings he conducted with Mark S. Tucker, the Museum's Vice Chairman of Conservation and Senior Conservator of Paintings.".

"Strehlke's introduction sheds new light on Johnson's collecting and traces the history of the acquisition, conservation, and installation of the John G. Johnson and Philadelphia Museum of Art paintings. Subsequent entries situate detailed discussions of the pictures within the context of the artists' biographies. All the paintings are furnished with a full description, technical report, provenance, art historical commentary, discussion of related works, comparative illustrations, and bibliography. This extensively illustrated book also provides an appendix of punch marks and a bibliography of some 2,500 entries."--BOOK JACKET.

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