passa ai contenuti
The Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera Anteprima di questo documento
ChiudiAnteprima di questo documento
Stiamo controllando…

The Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera

Autore: Nicholas Baragwanath
Editore: Bloomington : Indiana University Press, ©2011.
Serie: Musical meaning and interpretation.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and Puccini. Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this  Per saperne di più…
Voto:

(non ancora votato) 0 con commenti - Diventa il primo.

Soggetti
Altri come questo

 

Trova una copia in biblioteca

&AllPage.SpinnerRetrieving; Stiamo ricercando le biblioteche che possiedono questo documento…

Dettagli

Persona incaricata: Giacomo Puccini
Tipo documento: Book
Tutti gli autori / Collaboratori: Nicholas Baragwanath
ISBN: 9780253356260 0253356261
Numero OCLC: 663954299
Descrizione: xx, 407 pages : illustrations ; 24 cm.
Contenuti: Musical traditions in nineteenth-century Italy. The Italian schools --
An introduction to the primary sources --
Puccini and the end of the great tradition --
Studies in Lucca and Milan. Composition as craft --
The Istituto musicale in Lucca --
Scarpia and the Partimento Cadence --
The Conservatorio di Milano --
Lessons in dramatic composition I: Rhythm. Rhythm without measure, accent without beat --
Rules of versification, Lippmann's rhythmic-musical types, and two case studies --
Historical survey of writings on Ritmo --
Short case studies from Bellini and Puccini --
Lessons in dramatic composition II: Harmony and counterpoint. The Partimento 'Tradition' --
Michele Puccini's Corso pratico di contrappunto (1846) --
The Bolognese attachment, or "Little keys for winding clocks" --
Regular motions and melodic composition --
Lessons in dramatic composition III: Affect, imitation, and conduct. Dominant affects and their movements --
Physical and sentimental imitation --
Form and conduct --
Case studies from Verdi, Boito, and Puccini --
Vocalizzi, Solfeggi, and real (or ideal) compositions. Lessons in singing and counterpoint --
Lessons in singing and Solfeggio --
From Solfeggio to ideal composition in Puccini (and Bellini).
Titolo della serie: Musical meaning and interpretation.
Altri titoli: Compositional theory and practice in nineteenth-century opera
Italian traditions and Puccini
Responsabilità: Nicholas Baragwanath.

Abstract:

The theory and practice of Italian musical composition  Per saperne di più…

Commenti

Recensioni editoriali

Sinossi editore

"Baragwanath represents with admirable clarity the most important (and entangled) facets of the Italian theoretical traditions... An impressive tour de force." Giorgio Sanguinetti, University of Per saperne di più…

 
Commenti degli utenti
Recuperando commenti GoodReads…
Stiamo recuperando commenti DOGObooks

Etichette

Diventa il primo.
Conferma questa richiesta

Potresti aver già richiesto questo documento. Seleziona OK se si vuole procedere comunque con questa richiesta.

Dati collegati


<http://www.worldcat.org/oclc/663954299>
library:oclcnum"663954299"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/663954299>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:copyrightYear"2011"
schema:creator
schema:datePublished"2011"
schema:description"In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and Puccini. Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. This book offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini.--[book jacket]."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/641987683>
schema:genre"History"@en
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"The Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera"@en
schema:name"Compositional theory and practice in nineteenth-century opera"@en
schema:name"Italian traditions and Puccini"@en
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Chiudi finestra

Per favore entra in WorldCat 

Non hai un account? Puoi facilmente crearne uno gratuito.