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James Fenimore Cooper, a collection of critical essays

Auteur : Wayne Fields
Éditeur : Englewood Cliffs, N.J. : Prentice-Hall, ©1979.
Collection : Twentieth century views.
Édition/format :   Print book : Biographie : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Attacked in his own lifetime for his political opinions and belittled as an artist in subsequent years, he has been more ignored than honored by modern literary scholars. This collection of critical essays provides a re-evaluation of Cooper's artistic achievement.
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Détails

Genre/forme : Criticism, interpretation, etc
Format – détails additionnels : Online version:
James Fenimore Cooper, a collection of critical essays.
Englewood Cliffs, N.J. : Prentice-Hall, ©1979
(OCoLC)567888598
Personne nommée : James Fenimore Cooper; James Fenimore Cooper; James Fenimore Cooper; James Fenimore Cooper
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Wayne Fields
ISBN : 0135099439 9780135099438 0135099358 9780135099353
Numéro OCLC : 4933855
Description : viii, 197 pages ; 21 cm.
Contenu : Introduction / Wayne Fields --
James Fenimore Cooper : critic / Vernon Louis Parrington --
Fenimore Cooper or the ruins of time / Yvor Winters --
Fenimore Cooper's Leatherstocking novels / D.H. Lawrence --
Natty Bumppo and Chingachgook / Leslie A. Fiedler --
Cooper's The pioneers : origins and structure / Thomas Philbrick --
From the ruins of history : The last of the Mohicans / Terence Martin --
Beyond definition : a reading of The prairie / Wayne Fields --
Love and sexuality in The pathfinder / Annette Kolodny --
Moral and physical action in The deerslayer / Marius Bewley --
The unstable element / Kay Seymour House --
Light and shadow in The bravo / Donald A. Ringe --
Satanstoe : the case for permanence / H. Daniel Peck --
"The American Democrat" / John P. McWilliams, Jr. --
The later landscapes / Blake Nevius.
Titre de collection : Twentieth century views.
Responsabilité : edited by Wayne Fields.

Résumé :

Attacked in his own lifetime for his political opinions and belittled as an artist in subsequent years, he has been more ignored than honored by modern literary scholars. This collection of critical essays provides a re-evaluation of Cooper's artistic achievement.

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