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James Fenimore Cooper, a collection of critical essays

Auteur: Wayne Fields
Uitgever: Englewood Cliffs, N.J. : Prentice-Hall, ©1979.
Serie: Twentieth century views.
Editie/Formaat:   Print book : Biografie : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
Attacked in his own lifetime for his political opinions and belittled as an artist in subsequent years, he has been more ignored than honored by modern literary scholars. This collection of critical essays provides a re-evaluation of Cooper's artistic achievement.
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Genre/Vorm: Criticism, interpretation, etc
Aanvullende fysieke materiaalsoort: Online version:
James Fenimore Cooper, a collection of critical essays.
Englewood Cliffs, N.J. : Prentice-Hall, ©1979
(OCoLC)567888598
Genoemd persoon: James Fenimore Cooper; James Fenimore Cooper; James Fenimore Cooper; James Fenimore Cooper
Genre: Biografie
Soort document: Boek
Alle auteurs / medewerkers: Wayne Fields
ISBN: 0135099439 9780135099438 0135099358 9780135099353
OCLC-nummer: 4933855
Beschrijving: viii, 197 pages ; 21 cm.
Inhoud: Introduction / Wayne Fields --
James Fenimore Cooper : critic / Vernon Louis Parrington --
Fenimore Cooper or the ruins of time / Yvor Winters --
Fenimore Cooper's Leatherstocking novels / D.H. Lawrence --
Natty Bumppo and Chingachgook / Leslie A. Fiedler --
Cooper's The pioneers : origins and structure / Thomas Philbrick --
From the ruins of history : The last of the Mohicans / Terence Martin --
Beyond definition : a reading of The prairie / Wayne Fields --
Love and sexuality in The pathfinder / Annette Kolodny --
Moral and physical action in The deerslayer / Marius Bewley --
The unstable element / Kay Seymour House --
Light and shadow in The bravo / Donald A. Ringe --
Satanstoe : the case for permanence / H. Daniel Peck --
"The American Democrat" / John P. McWilliams, Jr. --
The later landscapes / Blake Nevius.
Serietitel: Twentieth century views.
Verantwoordelijkheid: edited by Wayne Fields.

Fragment:

Attacked in his own lifetime for his political opinions and belittled as an artist in subsequent years, he has been more ignored than honored by modern literary scholars. This collection of critical essays provides a re-evaluation of Cooper's artistic achievement.

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