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The Janice H. Levin collection of French art

著者: Richard Shone; Metropolitan Museum of Art (New York, N.Y.)
出版商: New York : Metropolitan Museum of Art, ©2002.
版本/格式:   图书 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
"From the late 1960s, when Janice H. Levin and her husband, Philip, made their first foray as collectors into the competitive field of Impressionism, until her final purchase (of a Boudin) in 1998, Mrs. Levin assembled a remarkable, and remarkably personal, art collection, mostly of paintings but also of works on paper and small bronzes, all by French artists or artists working in France. Once acquired by Mrs.  再读一些...
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详细书目

类型/形式: Exhibitions
Expositions
附加的形体格式: Online version:
Shone, Richard.
Janice H. Levin collection of French art.
New York : Metropolitan Museum of Art, c2002
(OCoLC)606930370
提及的人: Janice H Levin; Janice H Levin
文件类型:
所有的著者/提供者: Richard Shone; Metropolitan Museum of Art (New York, N.Y.)
ISBN: 1588390292 9781588390295 0300097743 9780300097740
OCLC号码: 50518999
注意: Catalog of an exhibition held at the Metropolitan Museum of Art, New York, N.Y., Nov. 19, 2002-Feb. 9, 2003.
描述: ix, 150 p. : col. ill. ; 28 cm.
内容: A Tribute / Adam K. Levin VIII --
Introduction: From Corot to Giacometti: The Private Eye of Janice H. Levin 3 --
Catalogue 12 --
Bibliography: Literature and Exhibitions 145.
责任: Richard Shone.
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摘要:

"From the late 1960s, when Janice H. Levin and her husband, Philip, made their first foray as collectors into the competitive field of Impressionism, until her final purchase (of a Boudin) in 1998, Mrs. Levin assembled a remarkable, and remarkably personal, art collection, mostly of paintings but also of works on paper and small bronzes, all by French artists or artists working in France. Once acquired by Mrs. Levin, these objects were enjoyed almost exclusively by her private circle of family and friends, in the domestic sphere of her New York apartment. Some of the works have never before or rarely been published, and many have not been exhibited in decades. The exhibition at the Metropolitan Museum of Art, New York, for which this publication is the accompanying catalogue is thus the first opportunity for the public to enjoy the abundant fruits of Mrs. Levin's impulse to collect: specifically, five Renoirs, three Monets, three Pissarros, four Vuillards, four Bonnards, and much more, dating to as early as the early 1840s for a Corot portrait to as late as 1954 for a Giacometti bust." "Each of the works is illustrated in full color and discussed in the context of the artist's development, the commission or situation in which the artist made it, and its inherent formal and compositional qualities."--BOOK JACKET.

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