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Japan and Britain after 1859 : creating cultural bridges 预览资料
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Japan and Britain after 1859 : creating cultural bridges

著者: Olive Checkland
出版商: London ; New York : RoutledgeCurzon, 2003.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
"This is a study of the cultural bridges between Japan and Britain after Japan was forced to open her doors to Western intrusion. The Japanese were shocked to discover they had no foreign trade with which to bargain. They quickly recognised the importance of 'export' ware, pretty china, to create a demand. Their campaign to hijack the Great Exhibition, worldwide, succeeded beyond their widest dreams. Everywhere
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材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Olive Checkland
ISBN: 0700717471 9780700717477 9780203221839 0203221834
OCLC号码: 50149648
描述: xiv, 237 p. : ill. ; 24 cm.
内容: Pt. I. The price of seclusion --
1. Shirts, studs and wash hand basins --
2. The Great Exhibition as a cultural bridge --
3. Affirmative action, abroad and in Japan --
4. Yokohama muki: Japanese export ware --
Pt. II. In Japan --
5. Maruzen and the foreign book trade --
6. Western architecture and Japanese architects --
7. Christopher Dresser and industrial design --
8. Paintings, photographs and prints --
Pt. III. In Britain --
9. Japonisme for all --
10. Collecting Japanese art --
11. Three painters, Menpes, Hornel, Brangwyn, and their patrons --
12. 'The lovely flower land of the Far East': travel writing about Japan --
Pt. IV. The commercial spin-off --
13. The Japan British Exhibition, London, 1910
责任: Olive Checkland.
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摘要:

"This is a study of the cultural bridges between Japan and Britain after Japan was forced to open her doors to Western intrusion. The Japanese were shocked to discover they had no foreign trade with which to bargain. They quickly recognised the importance of 'export' ware, pretty china, to create a demand. Their campaign to hijack the Great Exhibition, worldwide, succeeded beyond their widest dreams. Everywhere Westerners were enchanted by Japanese pavilions, gardens and tea-houses. In Japan they snapped up books in English and had British architects build Western style buildings. In Britain, Japonisme became a craze. Everyone, including the music hall artiste Marie Lloyd, joined the fun. The wild success of The Mikado (1885) is a reminder of the excitement.

Behind all this there were serious men and women, like the artist Frank Brangwyn, the anthropologist Isabella Bird, the poet Laurence Binyon and the potter Bernard Leach who were also committed to Japan and Japanese culture. It is the activities and experiences of these, and similar, individuals, and the broader background against which they operated, that are the main concern of this book."--BOOK JACKET.

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