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Japan, France, and East-West aesthetics : French literature, 1867-2000
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Japan, France, and East-West aesthetics : French literature, 1867-2000

著者: Jan Hokenson
出版商: Madison, N.J. : Fairleigh Dickinson University Press, ©2004.
版本/格式:   图书 : 英语查看所有的版本和格式
提要:
"As art historians have long known, the discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. Japan, France shows that leading French writers shared that shock of encounter and also experimented with Japanese aesthetics in their own  再读一些...
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附加的形体格式: Online version:
Hokenson, Jan.
Japan, France, and East-West aesthetics.
Madison, N.J. : Fairleigh Dickinson University Press, c2004
(OCoLC)607446542
材料类型: 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: Jan Hokenson
ISBN: 0838640109 9780838640104
OCLC号码: 53045091
描述: 520 p. : ill. ; 25 cm.
内容: Introduction: The shock of encounter. The painters' discovery of Japanese prints in Paris ; Old guard Orientalism and Avant-garde Japonisme ; Approaches to aesthetics. --
Convergence of painters and writers. Historical orientations ; Writers on painting ; Early literary Japonisme: The Goncourts. --
Naturalist and fin-de-siècle configurations. Zola's Japoniste art novel: L'Ouevre ; Japoniste strategies of vision in the Rougon-Macquart cycle ; Fin-de-siècle fictions: Huysmans, Loti, Judith Gautier ; The first literary translations of Japanese poetry. --
Symbolism and Japoniste contexts. An 1880s dispute over aesthetic value: the French position ; Intellectual contexts of symbolism: Asia as interlocutor ; Mallarmé: Las de l'amer repos as aesthetic agenda ; A new poetics. --
Designs in contrastive aesthetics. Currents of Japonisme in 1900: redefining the Japanese prints ; Le Japon artistique and La Revue blanche: Fénéon and Dujardin ; Satires and reassessments ; Proust: from a Japoniste cup of tea. --The Japoniste poetics of early modernism. Poet and ambassador of aesthetics: Claudel ; French principles of translating Haiku, 1905-20: Couchoud and Revon ; "Le Mouvement haï-kaï" ; Éluard and the Japoniste apprenticeship. --
The samurais of modernism. Two interwar apprenticeships: Yourcenar and Malraux ; Changing contexts in France: virilizing the effeminate ; Art and the samurai: Picasso and the Antimémoires ; The samurai as writer: Mishima, Un Homme obscur. --
The counter-discourse of Japan. Modes of intuition: Bergson, Kuki, Sarte ; A semiotic Japonisme: Barthes ; A poststructuralist Japonisme: Lyotard. --
Merging East-West aesthetics. New novels: Duras, Kristeva, Cixous ; Kabuki in Paris: Mnouchkine and the Théâtre du Soleil ; The ever new haiku: Bonnefoy, Roubaud, Jaccottet. --
Epilogue. Retrospective: Butor ; Prospective: Oseki Dépré.
责任: Jan Walsh Hokenson.
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摘要:

"As art historians have long known, the discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. Japan, France shows that leading French writers shared that shock of encounter and also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of Modernism."--BOOK JACKET.

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