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Japonisme comes to America : the Japanese impact on the graphic arts, 1876-1925

Author: Julia Meech; Gabriel P Weisberg; Jane Voorhees Zimmerli Art Museum.
Publisher: New York : H.N. Abrams in association with the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 1990.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Japonisme in American Graphic Art, 1880-1920 explores the myriad manifestations of Japonisme in a selection of rarely seen American works on paper from the Brooklyn Museum's permanent collection. Concurrent with the so-called "Japan craze" in America was a renewed interest in graphic arts: as watercolor, pastel, etching, and other graphic media came to be appreciated for their artistry and expressivity, they also  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Expositions
Additional Physical Format: Online version:
Meech-Pekarik, Julia.
Japonisme comes to America.
New York : H.N. Abrams in association with the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, 1990
(OCoLC)555654028
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Julia Meech; Gabriel P Weisberg; Jane Voorhees Zimmerli Art Museum.
ISBN: 0810935015 9780810935013
OCLC Number: 21034423
Notes: Exhibition catalog.
Description: 256 pages : illustrations (some color) ; 27 cm
Contents: Introduction / Phillip Dennis Cate --
Japonisme : the commercialization of an opportunity / Gabriel P. Weisberg --
Collecting Japanese art in America / Julia Meech --
Sowing Japonisme on American soil / Gabriel P. Weisberg --
Reinventing the exotic Orient / Julia Meech.
Responsibility: Julia Meech and Gabriel P. Weisberg.

Abstract:

Japonisme in American Graphic Art, 1880-1920 explores the myriad manifestations of Japonisme in a selection of rarely seen American works on paper from the Brooklyn Museum's permanent collection. Concurrent with the so-called "Japan craze" in America was a renewed interest in graphic arts: as watercolor, pastel, etching, and other graphic media came to be appreciated for their artistry and expressivity, they also reflected the impact of Japanese art. Color woodcuts by late-eighteenth- and nineteenth-century masters such Hiroshige, Hokusai, and Kuniyoshi were avidly collected in the West and served as particularly influential models of stylistic and technical innovation for American artists. Inspired by their encounters with the arts of Japan, the artists featured in Japonisme in American Graphic Art, 1880-1920 adopted Japanese subjects and design elements, embraced Eastern aesthetic principles, and sometimes even traveled to Japan to study its cultural traditions firsthand. Their resulting works demonstrate the variety and breadth of Japanese influence on American graphic arts at the turn of the twentieth century.

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Primary Entity

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