aller au contenu
Jazz : the American theme song Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Jazz : the American theme song

Auteur : James Lincoln Collier
Éditeur : New York : Oxford University Press, 1993.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
This book offers readers analysis of musical trends and styles, and explorations of the most potentially explosive issues in jazz today. In "Black, White, and Blue," Collier traces African and European influences on the evolution of jazz in a free-ranging discussion that takes him from the French colony of Saint Domingue (now Haiti) to the orderly classrooms where most music students study jazz today. He argues that  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Criticism, interpretation, etc
Format – détails additionnels : Online version:
Collier, James Lincoln, 1928-
Jazz.
New York : Oxford University Press, 1993
(OCoLC)654545236
Format : Livre
Tous les auteurs / collaborateurs : James Lincoln Collier
ISBN : 0195079434 9780195079432 0195079434 9780195079432 0195096355 9780195096354
Numéro OCLC : 27108002
Description : 326 p. ; 22 cm.
Contenu : The inevitability of jazz in America --
The rise of individualism and the jazz solo --
Going it alone --
Hot rhythm --
The embrace of show business --
Art and the academy --
Jazz and pop --
Black, white, and blue --
The critics --
Local jazz.
Responsabilité : James Lincoln Collier.
Plus d’informations :

Résumé :

This book offers readers analysis of musical trends and styles, and explorations of the most potentially explosive issues in jazz today. In "Black, White, and Blue," Collier traces African and European influences on the evolution of jazz in a free-ranging discussion that takes him from the French colony of Saint Domingue (now Haiti) to the orderly classrooms where most music students study jazz today. He argues that although jazz was originally devised by blacks from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se. In another essay, Collier provides an analysis of the evolution of jazz criticism, and casts a skeptical eye on the credibility of the emerging "jazz canon" of critical writing and popular history. Other essays include explorations of jazz as an intrinsic and fundamental source of inspiration for American dance music, rock, and pop; the influence of show business on jazz, and vice versa; and the link between the rise of the jazz soloist and the new emphasis on individuality in the 1920s. --From publisher's description.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/27108002>
library:oclcnum"27108002"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/27108002>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
<http://id.worldcat.org/fast/1030444>
rdf:typeschema:Intangible
schema:name"Music--Social aspects."@en
schema:name"Music--Social aspects"@en
schema:about
schema:about
schema:about
schema:creator
schema:datePublished"1993"
schema:description"The inevitability of jazz in America -- The rise of individualism and the jazz solo -- Going it alone -- Hot rhythm -- The embrace of show business -- Art and the academy -- Jazz and pop -- Black, white, and blue -- The critics -- Local jazz."@en
schema:description"This book offers readers analysis of musical trends and styles, and explorations of the most potentially explosive issues in jazz today. In "Black, White, and Blue," Collier traces African and European influences on the evolution of jazz in a free-ranging discussion that takes him from the French colony of Saint Domingue (now Haiti) to the orderly classrooms where most music students study jazz today. He argues that although jazz was originally devised by blacks from black folk music, jazz has long been a part of the cultural heritage of musicians and audiences of all races and classes, and is not black music per se. In another essay, Collier provides an analysis of the evolution of jazz criticism, and casts a skeptical eye on the credibility of the emerging "jazz canon" of critical writing and popular history. Other essays include explorations of jazz as an intrinsic and fundamental source of inspiration for American dance music, rock, and pop; the influence of show business on jazz, and vice versa; and the link between the rise of the jazz soloist and the new emphasis on individuality in the 1920s. --From publisher's description."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/39983328>
schema:genre"Criticism, interpretation, etc."@en
schema:inLanguage"en"
schema:name"Jazz : the American theme song"@en
schema:numberOfPages"326"
schema:publisher
schema:url
schema:workExample
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.